[sdiy] coupler module
Peachey, Dave
dave.peachey at rbs.co.uk
Tue Aug 26 12:18:43 CEST 2003
Martin,
To add to the (wish)list of facilities:
a) You might want to consider adding a microphone input of some description
(for the all-important treatment of your vocalisations using all the
exciting wave shaping modules people on the list have been discussing
recently) - you could give it variable sensitivity for different mike types
and, go on, add a 48V phantom power supply as well!!
b) If you're going down this route, an input envelope follower circuit of
some description (with some sort of gate/trigger derivation to allow for
triggering of on-synth envelope generators, sequencers, etc.) would also be
useful.
c) Others thing could be some form of headphone output, a simple stereo
power amp output to drive speakers, etc . . . .
On a more practical note, however:
a) is balanced operation really necessary given the unshielded nature of
some (particularly those banana-jack-based modular synth) "internal"
connections?
b) as you're connecting to the outside world, would it not be easiest to
scale down to 'normal' line level outputs (+/- 100mV) without having
multitudinous options?
c) do you really need to EQ your synth at this point? Surely EQ can be
undertaken within the body of your synth (OK, I'm thinking primarily of
modular synths with a variety of filter options/modules available) or, for
live playing, at the mixing desk/amplification point?
d) yes, certainly some form of overload output level detection but can't see
the need for effects send/return
Personally, I'd make this unit as simple as possible because I can't really
see you losing the need for a small dedicated mixer of some sort - do you
really need to reinvent that particular wheel in this context? Or am I on
the wrong track entirely?
Cheers
Dave
> -----Original Message-----
> From: Czech Martin [SMTP:Martin.Czech at micronas.com]
> Sent: Tuesday, August 26, 2003 9:34 AM
> To: Sdiy (E-mail)
> Subject: [sdiy] coupler module
>
> *** WARNING : This message originates from the Internet ***
>
> Every synth needs a coupling module to the tape machine or mixing desk.
>
> I plan to build some soon, containing:
>
> -4 balanced inputs, 2 balanced outputs (trafo or electronic)
> -2 or 4 (several) unbalanced inputs (for other synths)
> -input or output scaling circuits (the analog synth can have +-13V or
> +-100mV
> as extremes), the usual levels are -10dBu = 0.245 V RMS ~ 0.35V peak
> or 6dBu = 1.55 V RMS ~ 2.2 V peak
>
> assuming that 0 dBu = 0.775V RMS and sine wave form.
> So gains of 37, 0.29, 5.9 , 0.045
> or 0.027, 3.4, 0.17, 22 (reciprocal)
> can be needed, so a range of 37 to 0.027 seems to appear.
> This is no problem since resistor networks can be changed
> if necessary. Plug in connections of resistors on the PCB
> seems to be a good idea.
>
> -A good question is if any EQ is needed. Shelving bass and treble
> and perhaps some mid bell shaped EQ.
>
> I'm not sure if this needed. It could save a mixing desk.
>
> -Another question is if any external effects send/return is needed
> -Certainly a level meter plus overload indicator with hold/reset
> is needed for the line out.
>
> If all features are build, I end up with a little mixing desk.
> That is certainly too much.
>
> So what is your practical experience?
> What is needed?
>
> Martin Czech
>
>
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