200e

in my opinion, an oscillator should oscillate as fast or slow as you would like it, within reason, perhaps even without reason.  And a system for designing sound should at least provide oscillations in the entire pitch spectrum (whether the composer is going deaf or 
not) and even inaudible speeds for the sake of timbre and whatever other needs.  Again I 
ask, why the limitation of 7040 Hz?  Is there any particular reason for this constraint? 

--- In 200e@yahoogroups.com, Richard Lainhart <rlainhart@...> wrote:
>
> Certainly - supersonic heterodyning comes to mind. My point was that  
> simply the ability to hear up there doesn't necessarily justify the  
> need for the oscillator to go up there.
> 
> > There would be a beautiful increase in timbre possibilities and a  
> > deeper
> > language for the 200e as a whole
> > without setting a 7040 Hz boundary for frequency on the mod osc or  
> > primary
> > osc.
> 
> 
> 
> 
> Richard Lainhart
> http://www.otownmedia.com
> http://www.downloadplatform.com/richard_lainhart
> http://www.vimeo.com/rlainhart
> http://www.airglowmusic.com
> 
> 
> 
> 
> 
> 
> [Non-text portions of this message have been removed]
>