200e

thanks everyone

I now have my plans for the 2010 Buchla perfection

http://www.flickr.com/photos/cray5656/3558049557/

Ross



ezra buchla wrote:
>
>
> stacking bananas is limited.
> for example, say you have two outputs and two inputs, lets call them
> A,B,C,D.
>
> plug A into C. stack another cable and plug A into D. so far so good, but
> now if we want to patch B into C, then B will also be patched to D whether
> we want it or not...
>
> On Sat, May 23, 2009 at 10:06 AM, Richard Lainhart 
> <rlainhart@otownmedia.com <mailto:rlainhart%40otownmedia.com>
> > wrote:
>
> >
> >
> > For me, it's incredibly useful as a performance tool. With presets,
> > you can instantly reroute audio and CVs to different destinations, and
> > as JB points out, it's more than a simple router - you can also use it
> > to mix and attenuate audio and CVs instantly by recalling a preset. I
> > have mine set up so that the first four audio outputs go to the audio
> > inputs on the 227e, and the fifth audio output goes to an effects bus
> > consisting of a Roland RE-20 Space Echo pedal, routed back to the 297
> > Infinite Phase Shifter, then back into the 227. That way, any audio
> > source to go directly to the 227, or to the effects bus, in any
> > proportion, and in performance, I can switch those routings instantly.
> >
> > With the CV section, I route a bunch of random voltage outputs from
> > the 266e to various oscillator and filter inputs, along with the
> > outputs from the 250e, and because I can mix those random CVs in
> > different proportions, I can derive additional random voltages from a
> > more limited set of sources, again all under preset control.
> >
> > I can see how the 210 would be less useful in the studio, especially
> > if you're working with basically one patch at a time, but for
> > performance, I think it's essential - I use it all the time.
> >
> > Speaking of which, here are some links to just-posted YouTube clips of
> > my recent performance and workshop at CitySkies09, in which I use
> > presets and the 210 to change patches and configurations on the fly
> > during the performance, in both tonal and non-tonal contexts:
> >
> > http://www.youtube.com/watch?v=zoMY2RjHJFE 
> <http://www.youtube.com/watch?v=zoMY2RjHJFE>
> >
> > http://www.youtube.com/watch?v=0zs6K5urYDA 
> <http://www.youtube.com/watch?v=0zs6K5urYDA>
> >
> > http://www.youtube.com/watch?v=w2-6VXIUpII 
> <http://www.youtube.com/watch?v=w2-6VXIUpII>
> >
> >
> > > My thinking is, and I may be way off, that there isnt really a need
> > > for the 210e because we have banana jacks and most of the all the
> > > audio modules have mults.
> > >
> > > I guess it would be helpful if you had your patch set up permanently
> > > when using the presets.
> > >
> > > Or am I missing something about it?
> > >
> > > It sure looks great :-)
> >
> > Richard Lainhart
> > http://www.otownmedia.com <http://www.otownmedia.com>
> > http://www.downloadplatform.com/richard_lainhart 
> <http://www.downloadplatform.com/richard_lainhart>
> > http://www.vimeo.com/rlainhart <http://www.vimeo.com/rlainhart>
> > http://www.youtube.com/rlainhart <http://www.youtube.com/rlainhart>
> > http://richardlainhart.bandcamp.com/ 
> <http://richardlainhart.bandcamp.com/>
> >
> > [Non-text portions of this message have been removed]
> >
> >
> >
>
> [Non-text portions of this message have been removed]
>
>