200e

Thanks!

I might as well post it here too:
Five "long keys" controls one oscillator, each key controls pitch
(tuned, one per key), location bends the pitch and controls the rate
of the "LFO" that pulses the gate (the rapid attacks). Pressure
controls the effect of the fast attacks via a 254 (verbos) crossfader,
that makes the envelope (voltage controlled  cv-gating). I had two of
these patches set up thus controlling two oscillators, one for each
side/hand of the 222e. In the low end (of each key) they simply drone
the oscillator, for example the bass notes at the start. And in the
higher end I could get single attacks. Some other keys were
controlling envelopes for gating (pressure) some other stuff. The rest
is regular knob tweaking.

I am using the 285e quite audibly as well, one of the "chords" passes
through it and towards the end I shift it up to the extreme of the
internal oscillator.

Johan


2009/12/14 Richard Lainhart <rlainhart@otownmedia.com>:
> Yes, beautifully done.
>
> Can you tell us specifically how you're using the 222e?
>
>> I am using the new 222e live for the first time
>>
>> http://soundcloud.com/johan-boberg/oscillatorie
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> Richard Lainhart
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