200e

http://www.synthi.se/buchla/sweepy.mp3

The 291e is doing all the timbre modulation here.
Just two oscillators (259e & 261e) mixed into the 'all in'. I've set
some stages
in the internal sequencer and i am morphing the seq with CV. I took each
of the three nodes out separately to the 227e where i do some pan modulation.
You hear frequency and bw LF modulation and some AR FM modulation in
one of the nodes (different amounts at different stages). This is a very fun
filter to program.

2006/10/16, Bryan Carrigan <bryancarrigan@mac.com>:
> Very nice.   2 weeks... Sounds like you're learning it pretty
> quickly.   I have a similar one
> arriving soon hopefully so this just makes the anticipation even more
> painful, thanks ; )
>
> Hey, does anyone have a sample with all 3 nodes of the 291e doing a
> med to slow morph
> between stages instead of the quick stepping that i've heard in other
> mp3s?  I'd be really
> interested in hearing that and it will probably be one of the first
> things I do when it arrives.
> That module looks like the bees knees on paper.
>
> bryan
>
> On Oct 16, 2006, at 11:43 AM, Chris Muir wrote:
>
> > At 8:22 AM -0700 10/16/06, Todd Barton wrote:
> > >p.s. I really enjoyed your koto-esk stylin's in "Spinnish".
> >
> > That was a couple sections of the 256e controlling the amount of
> > fluctuating random pitch modulation based on a stored random
> > voltage and an envelope. No human intervention beyond patching. I
> > should have taken a picture of my 266e and my 256e for that patch.
> > A forest of bananas.
> >
> > I think that that one also used half of a 249e as a quantizer to
> > give the "koto-friendly" pentatonic scale.
> >
> > -C
> >
> > --
> > Chris Muir | "There are many futures and only one status quo.
> > cbm@well.com | This is why conservatives mostly agree,
> > http://www.xfade.com | and radicals always argue." - Brian Eno
> >
> >
>
>
>
> [Non-text portions of this message have been removed]
>
>
>
>
> Yahoo! Groups Links
>
>
>
>
>