i know they are from the net but here is a good many to explore.
From ucsd!ucbvax!tut.cis.ohio-state.edu!bloom-beacon!athena.mit.edu!paul Tue
May 2 16:14:09 PDT 1989
In article <2155@...> eeciii@... (Ed Chernosky) writes:
>I read an article recently that asked for CZ patches to be sent over the
net
>in some Opcode format or something or other. This seems likes quite an
>exclusive group! What if I don't own a Mac?
It's okay. I don't either. I don't even own any CZ's anymore, unless
I didn't fish them all out of the sock drawer.
>Should I post a few of my favorite CZ and SQ patches?
Not only that, Edwin, but you've just become the involuntary keeper of
the CZ patches. You can have the honor of sorting out the duplicates
below and forwarding them to anyone else who ever asks again.
One request: please don't try any of mine -- I did them three years
ago, they're probably pretty lame. :-?
-Paul
___________________________________________________________________________
---------------------------------------------------------------------------
Article 2487 of rec.music.synth:
Path: bloom-beacon!husc6!bbn!rochester!PT.CS.CMU.EDU!andrew.cmu.edu!bader+
>From: bader+@... (Miles Bader)
Newsgroups: rec.music.synth
Subject: cz.patches
Message-ID: <4VyXJZy00jaBcy00=5@...>
Date: 24 Jan 88 18:03:18 GMT
Organization: Carnegie Mellon University
Lines: 3473
Since a bunch of people asked for them, here they are...
These have mostly seen this group before; but there's been a lot
of redundancy taken out...
[I hope files >65k don't still break things...]
----------------------------------------------------------------
Name: synth organ
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+2 + (1,2) 00 06 +1
DCO 1
wave
2 4
rate level
99 33
33 00 e
DCW 1
key
0
rate level
80 99
47 96
37 52 s
26 00
50 00 e
DCA 1
key
0
rate level
99 90
78 65
83 95
70 75
70 99 s
79 59
33 00 e
DCO 2
wave
3 5
rate level
99 33
33 00 e
DCW 2
key
0
rate level
80 99
47 96
37 52 s
26 00
50 00 e
DCA 2
key
0
rate level
99 90
78 65
83 95
70 75
70 99 s
79 59
33 00 e
Comments: Boring but useful.
----------------------------------------------------------------
Name: drum hit
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
2 + 1 10 25 0
DCO 1
wave
5 2
rate level
50 00e
DCW 1
key
0
rate level
99 99
99 99e
DCA 1
key
0
rate level
93 55
99 00e
DCO 2
wave
rate level
DCW 2
key
rate level
DCA 2
key
rate level
Comments: If you don't have a drum machine, put some of this under your
drum noise.
I boost 200hz for extra umph.
----------------------------------------------------------------
Name: drum wash
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+1' noise + (1,2,3) 03 08 1 00 38 15 -1
DCO 1
wave
5 0
rate level
99 62
76 00e
DCW 1
key
0
rate level
99 83
99 00e
DCA 1
key
6
rate level
99 99
38 51
53 00e
DCO 2
wave
rate level
DCW 2
key
rate level
DCA 2
key
rate level
Comments: I put the three different versions (different detune octave
settings) on adjacent Internal memory keys , and by switching back
and forth between beats (it takes practice) I got a "drum kit", and
even gated off some of the hits by switching to the next sound before
the note had died out. Primitive, but it got on the local college
station a few times. This is one of those sounds that sounds really
big on tape.
----------------------------------------------------------------
Name: Simmons SDS-7
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+1 noise +1 03 00 -1
DCO 1
wave
1 5
rate level
99 70
42 00e
DCW 1
key
0
rate level
99 99
99 00e
DCA 1
key
9
rate level
99 99
43 00s
50 00e
DCO 2
wave
rate level
DCW 2
key
rate level
DCA 2
key
rate level
Comments: I tried to duplicate the sound on Duran Duran's "Rio".
----------------------------------------------------------------
Name: Phil-in-a-box
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+1' noise + 0 10 00 -1
DCO 1
wave
1 4
rate level
99 70
54 00s
50 00e
DCW 1
key
0
rate level
99 99
99 00e
DCA 1
key
9
rate level
99 99
43 00e
DCO 2
wave
rate level
DCW 2
key
rate level
DCA 2
key
rate level
Comments: I was trying to emulate the big crashes on "In the Air
Tonight" and "I Don't Care Anymore". Having heard it on CD last
week, there's no comparison. However, SOMEONE on the net (I lost the
message) claims to have improved it. ???
----------------------------------------------------------------
Name: Trevor Horns
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+1' - 0 02 24 3 06 02 99 +1
DCO 1
wave
3 0
rate level
99 33
33 00e
DCW 1
key
2
rate level
67 99
47 96
37 52s
26 00e
DCA 1
key
2
rate level
82 99
36 91s
79 59
55 00e
DCO 2
wave
rate level
DCW 2
key
rate level
DCA 2
key
rate level
Comments: Everybody likes this one, but you have to play it a certain
way or it sounds stupid. Turn your reverb WAY up and playing three
or four octaves in unison, tap short horn-punch chords.
Ha ha ha, five people have mistaken it for a Fairlight on tape so
far!
----------------------------------------------------------------
Name: organ brass
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+1' + 1 00 06 +1
DCO 1
wave
3 5
rate level
99 33
68 00e
DCW 1
key
0
rate level
80 99
47 96
37 52s
26 00
50 00e
DCA 1
key
0
rate level
99 90
78 65
83 95
70 75
70 99s
79 59
33 00e
DCO 2
wave
rate level
DCW 2
key
rate level
DCA 2
key
rate level
Comments: I forget what this sounds like. I'll have to try it again.
Probably an organ set to "brass".
----------------------------------------------------------------
Name: Herbie Scratch
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+1' + 0 02 00 1 00 54 88 +1
DCO 1
wave
3 4
rate level
47 99
99 00e
DCW 1
key
0
rate level
80 99
47 96
38 85s
26 00e
DCA 1
key
2
rate level
99 90
85 65
85 95
78 75
78 99
01 98
99 00e
DCO 2
wave
rate level
DCW 2
key
rate level
DCA 2
key
rate level
Comments: In lieu of having a record to scratch...
----------------------------------------------------------------
Name: Fuzzy bass
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+1' ring + 1 00 00 1 33 55 23 +1
DCO 1
wave
2 3
rate level
00 00e
DCW 1
key
7
rate level
97 99
43 79
50 74s
52 00e
DCA 1
key
0
rate level
99 99
21 00s
61 00e
DCO 2
wave
rate level
DCW 2
key
rate level
DCA 2
key
rate level
Comments: Only so-so, but here it is.
----------------------------------------------------------------
Name: fat synth bass
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+1' ring + 0 07 04 1 33 55 23 0
DCO 1
wave
2 3
rate level
50 00e
DCW 1
key
7
rate level
97 99
43 79
50 74s
52 00e
DCA 1
key
0
rate level
99 99
21 89s
61 00e
DCO 2
wave
rate level
DCW 2
key
rate level
DCA 2
key
rate level
Comments: Modified version of Casio "Electric bass" that sustains.
I play Wham tunes on it -- drives my roommates *nuts*!
----------------------------------------------------------------
Name: 1-Octave bass
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+2 + 1 00 05 1 54 11 04 -1
DCO 1
wave
1 2
rate level
66 58
72 00
43 05
65 00e
DCW 1
key
9
rate level
82 88
42 63
00 00e
DCA 1
key
9
rate level
99 99
28 00
56 00
DCO 2
wave
5 4
rate level
00 00e
DCW 2
key
7
rate level
92 80
44 62
00 00e
DCA 2
key
0
rate level
90 99
30 86s
86 00e
Comments: I put this under other bass patches (via tone mix) to get
more bottom end.
----------------------------------------------------------------
Name: 2-Octave bass (Tony Levin)
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+2 + 0 00 05 1 54 11 04 -1
DCO 1
wave
1 2
rate level
66 58
72 00
43 05
65 00e
DCW 1
key
9
rate level
82 83
42 63
00 00e
DCA 1
key
9
rate level
99 99
28 00
56 00e
DCO 2
wave
3 4
rate level
00 00e
DCW 2
key
7
rate level
92 80
44 62
00 00e
DCA 2
key
0
rate level
90 99
30 86s
86 00e
Comments: I used this to add bottom to bass parts played in higher
registers until someone pointed out that it sounds just like Tony
Levin's Chapman Stick. "I wanna be.... your Sledgehammer..."
It does have a nice voice of its own.
----------------------------------------------------------------
Name: ArtoNoise Trumpet (#3)
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+2 ring 1 27 49 11 +1
DCO 1
wave
3 0
rate level
00 00e
DCW 1
key
4
rate level
67 79
00 00e
DCA 1
key
2
rate level
70 91
70 67
70 96
70 77
70 99s
56 00e
DCO 2
wave
4 0
rate level
00 00e
DCW 2
key
4
rate level
72 79
00 00e
DCA 2
key
2
rate level
70 91
70 67
70 97
70 77
70 99s
48 00e
Comments: Mix with Casio Preset turmpet. You can set Bend Range to
12 and go a whole octave higher still sounding great.
----------------------------------------------------------------
Name: Lazy Trumpet (#4)
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+1' + 0 00 07 0
DCO 1
wave
1 0
rate level
99 33
68 00e
DCW 1
key
2
rate level
67 99
47 96
37 52s
26 00e
DCA 1
key
2
rate level
70 90
70 65
70 95
70 75
70 99s
50 00e
DCO 2
wave
rate level
DCW 2
key
rate level
DCA 2
key
rate level
Comments: I mix this with the Casio Trumpet, set Bend Range to 2, and
get some pretty cool leads with this (a long echo helps).
----------------------------------------------------------------
Name: snap percussion
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+2 noise + 1 00 00 0
DCO 1
wave
1 0
rate level
99 82
99 00e
DCW 1
key
0
rate level
99 99
28 00e
DCA 1
key
0
rate level
99 99
99 00e
DCO 2
wave
1 0
rate level
00 00e
DCW 2
key
0
rate level
00 00e
DCA 2
key
0
rate level
99 99
58 00e
Comments: Four notes within an octave with a slapback echo make
realistic handclaps.
----------------------------------------------------------------
Name: Star Trek noise
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+1' 1 00 60 98 + 1
DCO 1
wave
3 4
rate level
63 99s
99 00e
DCW 1
key
0
rate level
80 99
47 96
38 85s
26 00
50 00e
DCA 1
key
2
rate level
99 90
85 65
85 95
78 75
78 99
01 98s
99 00e
DCO 2
wave
rate level
DCW 2
key
rate level
DCA 2
key
rate level
Comments: Just another stupid noise. Doesn't sound like anything on
Star Trek per se, or does it? I guess it depends on how Trekkie you
are...
----------------------------------------------------------------
Name: Woh-Wow-Yeh
>From: Barry Kirsch
line mod detune vibrato octave
1+2' + 00 00 07 -1
DCO 1
wave
6 0
rate level
51 33
68 00e
DCW 1
key
2
rate level
58 99
47 96
37 52s
26 00e
DCA 1
key
2
rate level
62 71
36 91s
79 59
55 00e
DCO 2
wave
7 0
rate level
53 33
68 00e
DCW 2
key
2
rate level
33 99
47 96
37 52s
26 00e
DCA 2
key
2
rate level
82 99
36 91s
79 59
55 00e
Comments: "All at once, the clouds are parting,
light streams down in bright unbroken beams..."
Is this a Rush sound or WHAT, I ask? I love it anyway :) .
----------------------------------------------------------------
Name: Flutelight
>From: Eric Persing, _Keyboard_ magazine
line mod detune vibrato octave
1+2 noise - 1 00 00 1 46 52 17 +1
DCO 1
wave
1 0
rate level
52 50
15 00e
DCW 1
key
9
rate level
72 88
99 53s
50 00e
DCA 1
key
0
rate level
99 17
70 91
59 99
12 83s
65 00e
DCO 2
wave
5 0
rate level
83 67
50 00e
DCW 2
key
8
rate level
60 57
00 00e
DCA 2
key
2
rate level
76 67
61 00e
Comments: Yes, THAT sound again.... play happy major thirds and see.
----------------------------------------------------------------
Name: background swell
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+2 - + 0 00 07 1 11 51 23 0
DCO1
wave
1 0
rt lv
0 0e
DCO1
key
2
rt lv
99 97s
40 00e
DCA1
key
2
rt lv
72 15
31 93s
31 0e
DCO2
wave
2 0
rt lv
00 00e
DCW2
key
2
rt lv
99 99s
40 00e
DCA2
key
2
rt lv
72 15
31 93s
31 00e
Comments: turn down DCW1 sustain level if using without tons of processing
----------------------------------------------------------------
Name: Ministry horns
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+2 - + 1 00 14 3 00 40 11 +1
DCO1
wave
4 1
rt lv
86 99
99 33
68 00e
DCO1
key
2
rt lv
67 99
47 96
37 52s
26 00e
DCA1
key
2
rt lv
82 99
36 91s
79 59
55 00e
DCO2
wave
1 0
rt lv
97 99
89 00e
DCW2
key
7
rt lv
97 87
43 79
50 74s
52 00e
DCA2
key
0
rt lv
99 99
21 97
61 00e
Comments: Again, use tons of chorus & reverb. Guaranteed to sound like
Alain
Jourgensen in short punches. Play parallel ocatves for bigger sound.
----------------------------------------------------------------
Name: popcorn
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+2 ring + 1 00 00 4 00 97 27 -1
DCO1
wave
5 2
rt lv
95 91
99 00e
DCO1
key
0
rt lv
99 78
47 79s
50 00
47 00e
DCA1
key
4
rt lv
97 99
56 49
99 00e
DCO2
wave
8 3
rt lv
99 99
93 00e
DCW2
key
0
rt lv
99 81s
64 00e
DCA2
key
0
rt lv
99 99
56 00e
Comments: Great for adding attack to sequencer bass lines.
----------------------------------------------------------------
Name: Kick #1 (extender for TR505)
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+1 noise - 3 00 06 4 00 53 90 -1
DCO1
wave
4 1
rt lv
98 67
99 00e
DCO1
key
0
rt lv
99 99
99 00e
DCA1
key
0
rt lv
99 99
45 00e
DCO2
wave
rt lv
DCW2
key
rt lv
DCA2
key
rt lv
Comments: MIDI to TR505 bass drum, pick a low note (25-40).
----------------------------------------------------------------
Name: kick #2 (TR505 extender)
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+1 - - 1 00 00 4 04 63 89 -1
DCO1
wave
5 4
rt lv
90 76
90 00e
DCO1
key
0
rt lv
99 15s
50 00e
DCA1
key
0
rt lv
99 99
49 00e
DCO2
wave
rt lv
DCW2
key
rt lv
DCA2
key
rt lv
Comments: MIDI to TR505 bass drum, has different sounds in different
octaves
----------------------------------------------------------------
Name: snare #1 (TR505 extender)
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+1 noise + 2 04 08 3 00 56 88 -1
DCO1
wave
4 7
rt lv
99 62
76 00e
DCO1
key
0
rt lv
00 00e
DCA1
key
0
rt lv
99 99
38 51
53 00e
DCO2
wave
rt lv
DCW2
key
rt lv
DCA2
key
rt lv
Comments: MIDI to snare drum. I use notes in the lower half of the
keyboard.
----------------------------------------------------------------
Name: Snare #2
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+2 noise + 1 10 0 - -1
DCO1
wave
1 4
rt lv
99 70
54 00s
50 00e
DCO1
key
0
rt lv
99 99
99 00e
DCA1
key
9
rt lv
99 99
51 00e
DCO2
wave
1 4
rt lv
99 70
54 00s
50 00e
DCW2
key
0
rt lv
99 99
99 00e
DCA2
key
9
rt lv
99 99
43 00e
Comments: For those of us without an SPX-90.
----------------------------------------------------------------
Name: Rayz
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+2 - + 1 07 10 1 07 61 23 +1
DCO1
wave
1 4
rt lv
00 00e
DCO1
key
0
rt lv
88 99s
47 25
44 00e
DCA1
key
0
rt lv
93 87s
39 00e
DCO2
wave
6 0
rt lv
00 00e
DCW2
key
0
rt lv
99 99s
47 25
44 00e
DCA2
key
0
rt lv
92 99
85 97
92 99
99 98s
32 00e
Comments: Sounds even cooler if you use the pitch wheel for glissandi.
(Did I really use the word "glissandi"?)
----------------------------------------------------------------
Name: Whistlin
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
DCO1
wave
rt lv
DCO1
key
rt lv
DCA1
key
rt lv
DCO2
wave
rt lv
DCW2
key
rt lv
DCA2
key
rt lv
Comments: Take the preset "Whistle" and change the detune to + 0 0 20
----------------------------------------------------------------
Name: Bowp/Industrial [Bass]
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1 +2 * + 3 05 00 - -1
DCO1
wave
6 *
rt lv
0 0e
DCO1
key
0
rt lv
72 53
52 00e
DCA1
key
0
rt lv
99 99
44 00e
DCO2
wave
4 0
rt lv
00 00e
DCW2
key
2
rt lv
99 10
48 00e
DCA2
key
0
rt lv
99 81
42 00e
Comments: * This is one of my most-used sounds. There are four variations
according to the following matrix:
Bowp Industrial
Regular ring mod noise mod
DCO1 6 0 DCO1 6 0
Bass ring mod noise mod
DCO1 6 2 DCO1 6 2
----------------------------------------------------------------
Name: Pan Pipes / Danger Sound
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
DCO1
wave
rt lv
DCO1
key
rt lv
DCA1
key
rt lv
DCO2
wave
rt lv
DCW2
key
rt lv
DCA2
key
rt lv
Comments: Take the "Internal #3" setting and change DCO1 to
2 0 for pan pipes
7 0 for Dangersound
"Dangersound" on the low D note is something like Ministry
opened their show with last time I saw them. Excuse me for making fun
of those Casio Sound Data book names like "Dangerous Sound #2".
----------------------------------------------------------------
Name: Traffic Doppler (Barry Kirsch, modified by me)
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+1 noise + 00 03 00 1 00 00 97 -1
DCO1
wave
7 0
rt lv
99 15s
16 00e
DCO1
key
0
rt lv
00 00e
DCA1
key
0
rt lv
35 99
00 00
30 00e
DCO2
wave
rt lv
DCW2
key
rt lv
DCA2
key
rt lv
Comments: Hold the key down and wait. I like clusters of low notes best
----------------------------------------------------------------
Name: Sampled Snap
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+2 noise + 1 07 00 1 00 67 09 0
DCO1
wave
5 0
rt lv
96 75
99 00e
DCO1
key
0
rt lv
91 66
93 00e
DCA1
key
0
rt lv
93 99
54 00e
DCO2
wave
2 0
rt lv
97 74
93 00e
DCW2
key
0
rt lv
93 41
64 00e
DCA2
key
0
rt lv
94 99
49 00e
Comments: Any resemblance to snare #1 is purely intentional.
----------------------------------------------------------------
Name: Kalimba #3,452,156
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+2 ring + 2 10 00 1 60 50 03 0
DCO1
wave
5 0
rt lv
96 75
99 00e
DCO1
key
9
rt lv
97 24
88 00e
DCA1
key
2
rt lv
95 99
43 00e
DCO2
wave
2 0
rt lv
97 74
93 00e
DCW2
key
9
rt lv
95 82
64 00e
DCA2
key
0
rt lv
96 99
49 00e
Comments: Yup, more Afro-percussion. This one has radically different
timbres in
different octaves (the second octave on the 101 keyboard is my
favorite). Noise percussion makes some interesting sounds too.
----------------------------------------------------------------
Name: Helicopter (Glenn Bruns, modified)
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+2 ring + 2 00 08 3 00 70 99 -1
DCO1
wave
6 5
rt lv
00 00e
DCO1
key
8
rt lv
60 57s
00 00e
DCA1
key
0
rt lv
99 93s
66 00e
DCO2
wave
1 0
rt lv
00 00e
DCW2
key
8
rt lv
60 57s
00 00e
DCA2
key
1
rt lv
99 93
66 00e
Comments: Noise modulation makse a meaner helicopter, and a machine gun in
the
upper range.
----------------------------------------------------------------
Name: Reverb Flute
>From: Electronics & Music Maker, Sep 1986
Line: 1+2'
Mod: Noise on
Detune: +,0,0,0
Vibrato: Wave=1,delay=26,rate=55,depth=9
Octave: +1
DCO1: 1st wave = 2, 2nd wave = 0
Rate=70,level = 66 (sus)
00 00 (end)
DCW1: Key follow = 0
Rate=60, Level = 35 (sus)
00, 00 (end)
DCA1: Key follow =1
rate=82 Level = 99 (sus)
58 89
71 54
44 30
63 66
44 30
61 51
50 00 (end)
DCO2: 1st wave = 1, 2nd wave = 0
rate = 00, level = 0 (end)
DCW2: Key follow = 9
rate = 99, level = 00 (sus)
00 00 (end)
DCA2: Key follow = 1
rate = 92, level = 64
56 00 (end)
----------------------------------------------------------------
Name: Guitar with distortion
>From: Robert Lansdale <lansd@...>
Detune: +, oct=2,note=7, fine=8
Vibrato: wave=1,delay=0,rate=99,depth=24
Octave=-1
Line: 1+1'
mod: ring
DCO1: 1st wave = 8, 2nd wave = 4
rate =00, level = 00 (end)
DCW1: Key follow = 0
Rate = 99, level = 21 (sus)
33 00 (end)
DCA1: Key follow = 0
rate = 99, level = 99 (sus)
31 83
52 00 (end)
----------------------------------------------------------------
Name: Mean Electric Guitar
>From: Robert Lansdale <lansd@...>
Detune: +,1,2,4
Vibrato: 1,53,0,0
Octave:+1
Line:1+1'
Mod:Ring
DCO1: 1st wave = 3, 2nd wave = 4
Rate = 19, Level = 00 (End)
DCW1: Key follow = 1
Rate = 86, Level = 64
07 00 (End)
DCA1: Key follow = 4
Rate = 94, Level = 96 (sus)
92 00 (End)
Comments: Try small amount of glide or portamento to make
it more of a realistic guitar sound.
----------------------------------------------------------------
Name: YABS (Yet Another Bass Sound)
>From: Robert Lansdale <lansd@...>
Line: 1+1'
Detune: +,0,0,1
Vibrato: Wave=1,delay=0,rate=50,depth=0
Octave: +0
DCO1: 1st wave = 2, 2nd wave = 3
Rate=99,level = 99
99 00 (end)
DCW1: Key follow = 0
Rate=99, Level = 99
50, 00 (end)
DCA1: Key follow =0
rate=99 Level = 99 (sus)
50 00 (end)
----------------------------------------------------------------
Name: NOISE SWEEP
>From: Robert Lansdale <lansd@...>
Noise: On
Line: 1+1'
Detune: +,0,0,1
Vibrato: Wave=1,delay=0,rate=50,depth=2
Octave: +0
DCO1: 1st wave = 2, 2nd wave = 3
Rate=99,level = 99
49 00 (end)
DCW1: Key follow = 0
Rate=99, Level = 99
50, 00 (end)
DCA1: Key follow =0
rate=99 Level = 99
02 98
53 00 (end)
----------------------------------------------------------------
Name: Bushy
>From: Glenn Bruns <bruns@...>
line mod detune vibrato octave
1+2 + 0 00 03 0 00 00 00 0
DCO 1
wave
5 0
rate level
99 65
38 66s
00 00e
DCW 1
key
2
rate level
99 99s
40 00e
DCA 1
key
2
rate level
72 92s
45 00e
DCO 2
wave
1 0
rate level
99 66
00 00e
DCW 2
key
2
rate level
99 99s
40 00e
DCA 2
key
2
rate level
72 92s
45 00e
Comments: Reminds me of Kate Bush.
----------------------------------------------------------------
Name: Spacious
>From: Glenn Bruns <bruns@...>
line mod detune vibrato octave
1+1' - 0 00 02 0 00 00 00 0
DCO 1
wave
2 6
rate level
00 00e
DCW 1
key
4
rate level
99 60
30 75s
50 80
00 00e
DCA 1
key
0
rate level
99 90
40 93s
45 30
60 00e
Comments:
----------------------------------------------------------------
Name: Wild Kingdom
>From: Glenn Bruns <bruns@...>
line mod detune vibrato octave
1+2 ring + 1 00 01 1 15 28 06 0
DCO 1
wave
2 0
rate level
99 33
68 00e
DCW 1
key
2
rate level
67 99
47 96
37 52s
26 00e
DCA 1
key
2
rate level
90 99
36 91s
79 59
55 00e
DCO 2
wave
5 0
rate level
99 33
68 00e
DCW 2
key
2
rate level
63 99
66 96
37 52s
26 00e
DCA 2
key
2
rate level
70 99
36 75s
79 55
55 00e
Comments: I called this "Wild Kingdom" because it's sounds like a
nature TV show patch. The patch is based on CZ-101 patch #1 (Brass
ens. 1). The slow vibrato is critical for this patch.
----------------------------------------------------------------
Name: Rising resonance
>From: Glenn Bruns <bruns@...>
line mod detune vibrato octave
1+2' + 0 00 04 0 00 00 00 0
DCO 1
wave
3 0
rate level
00 00e
DCW 1
key
6
rate level
99 90s
40 00e
DCA 1
key
9
rate level
72 92s
50 00e
DCO 2
wave
6 0
rate level
99 95
27 66s
00 66
00 00e
DCW 2
key
9
rate level
99 40s
40 00e
DCA 2
key
0
rate level
80 80
60 90s
55 00e
Comments: Try different waveforms, esp. on DCO 2.
----------------------------------------------------------------
Name: Chunky Blocks
>From: Glenn Bruns <bruns@...>
line mod detune vibrato octave
1+1' ring - 3 03 08 1 00 38 15 -1
DCO 1
wave
2 1
rate level
99 62
76 00e
DCW 1
key
0
rate level
99 83
51 00e
DCA 1
key
6
rate level
99 99
52 00e
Comments: Use tone mix if you're using this patch for bass line.
Also, I'm not sure if the detune is supposed to be "-".
----------------------------------------------------------------
Name: Electric bubbles
>From: Glenn Bruns <bruns@...>
line mod detune vibrato octave
1+2' ring + 2 00 08 3 00 75 99 0
DCO 1
wave
6 5
rate level
00 00e
DCW 1
key
8
rate level
60 57s
00 00e
DCA 1
key
0
rate level
99 36
70 91
59 99
12 93s
66 00e
DCO 2
wave
1 8
rate level
00 00e
DCW 2
key
8
rate level
60 57
00 00e
DCA 2
key
1
rate level
99 36
70 91
59 99
12 93s
66 00e
Comments: Strictly for special effects. High notes sound like a ray
gun (don't ask what kind of ray); low notes sound like a helicopter.
Based on CZ-101 patch #7 (flute) -- which explains the gratuitous
detail in the DCA's.
----------------------------------------------------------------
Name: Woody metal.
>From: Truls Ellefsen <seismo!mcvax!kvvax4!truls@...>
line mod detune vibrato octave
1+1' ring + 2 00 06 1 50 65 07 0
DCO 1
wave
1 0
rate level
00 00 end
DCW 1
key
9
rate level
83 27
37 10 sus
88 00 end
DCA 1
key
5
rate level
99 99
38 85
21 78
31 65
32 60
40 55
17 00
37 00 end
Comments: Detune, octave=3 also useful. Expriment with vibrato.
----------------------------------------------------------------
Name: Scratchy Trumpet
>From: Alan Bland <..!ihnp4!druak!mab>
line mod detune vibrato octave
1+2' + 0 00 00 1 19 50 14 0
DCO 1
wave
4 0
rate level
00 00e
DCW 1
key
0
rate level
99 99s
27 00e
DCA 1
key
4
rate level
70 99
20 89s
49 00e
DC0 2
wave
3 5
rate level
00 00e
DCW 2
key
0
rate level
51 77
39 00e
DCA 2
key
4
rate level
99 79
32 00e
Comments:
----------------------------------------------------------------
Name: harpsichord #2 (originally by Mark Schmeider)
>From: Bill Wake <wake@...>
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+2' | | | | | + | 2 | 0 | 06 | | 1 | 0 |00|00 | | + | 1 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 3 | 6 | | 3 | 7 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |99 |99 | | | | | |0-99 rate|99 |99 | | | | | |
|
levl|99 |00 |00 | | | | | |0-99 levl|21 |00 | | | | | |
|
s/e | | s | e | | | | | | s/e | | e | | | | | |
|
_____________________________________
_____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 5 |(0-9) | 3 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |00 | | | | | | |0-99 rate|99 |00 | | | | | |
|
levl|50 |00 | | | | | | |0-99 levl|52 |00 | | | | | |
|
s/e | s | e | | | | | | | s/e | | e | | | | | |
|
_____________________________________
_____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 9 |(0-9) | 3 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |33 |57 |99 | | | | |0-99 rate|76 |94 |58 |44 |99 | | |
|
levl|90 |16 |00 |00 | | | | |0-99 levl|02 |99 |90 |00 |00 | | |
|
s/e | | | s | e | | | | | s/e | | | | s | e | | |
|
_____________________________________
_____________________________________
----------------------------------------------------------------
Name: swept reed
>From: Michael Schaeffer <michaels%tekigm2.tek.com@...>
COMMENT: modified casio reed
ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8);
DCO1 (wave-env): 3.4-99.29-72e
DCW1 (key-env): 9-74.93-93.86s-50e
DCA1 (key-env): 1-86.99-63.93-65.94-29e
DCO2 (wave-env): 6.4-99.66-73e
DCW2 (key-env): 2-43.60-24.49-26e
DCA2 (key-env): 0-62.94-18.85-24.77-26e
DETUNE (+- oct - semi - fine): (-)0-0-7
MODULATION (1'or 2' - ring or noise): either 1' or 2'
VIBRATO (wave-delay-rate-depth): 4-81-41-99
KEYBOARD OCTAVE (+ o -): 0
----------------------------------------------------------------
Name: minor vox chorus
>From: Michael Schaeffer <michaels%tekigm2.tek.com@...>
COMMENT: fairly modal based on casio human voice
ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8);
DCO1 (wave-env): 1.4-55.65-40.66s-2e
DCW1 (key-env): 0-99e
DCA1 (key-env): 0-79.99-21.74s-31.75-60e
DCO2 (wave-env): 5.0-50e
DCW2 (key-env): 8-46.65-35.20s-54e
DCA2 (key-env): 0-67.77-21.77-12.90s-35e
DETUNE (+- oct - semi - fine): (-)0-7-10
MODULATION (1'or 2' - ring or noise): 2'
VIBRATO (wave-delay-rate-depth): 1-72-46-19
KEYBOARD OCTAVE (+ o -): 0
----------------------------------------------------------------
Name: Synth Bass II
>From: Michael Schaeffer <michaels%tekigm2.tek.com@...>
COMMENT: modified casio
ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8);
DCO1 (wave-env): 2.3-0e
DCW1 (key-env): 7-97.99-43.79-50.74s-52e
DCA1 (key-env): 0-99.99-21e
DETUNE (+- oct - semi - fine): (-)1-0-3
MODULATION (1'or 2' - ring or noise): 1' - ring
VIBRATO (wave-delay-rate-depth): 1-33-55-23
KEYBOARD OCTAVE (+ o -): 0
----------------------------------------------------------------
Name: swept mute ens.
>From: Michael Schaeffer <michaels%tekigm2.tek.com@...>
ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8);
DCO1 (wave-env): 2.1-67.55-42.60-54.6-50e
DCW1 (key-env): 0-52.99-28.90-30.97-31.93-22.71s-50.52-50e
DCA1 (key-env): 0-71.99s-38.82-30.75-49e
DCO2 (wave-env): 2.4-53.15-49e
DCW2 (key-env): 0-53.99-79.72-50.70s-50e
DCA2 (key-env): 0-89.91-49.86-18.73(?s?)-20.70-22e
DETUNE (+- oct - semi - fine): +1-0-2
MODULATION (1'or 2' - ring or noise): 2' ring
VIBRATO (wave-delay-rate-depth): 1-42-31-20
KEYBOARD OCTAVE (+ o -): 0
----------------------------------------------------------------
Name: Bright electric piano
>From: Michael Schaeffer <michaels%tekigm2.tek.com@...>
COMMENT: I could really use some nice pianos
ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8);
DCO1 (wave-env): 5.2-99.66-99e
DCW1 (key-env): 0-99.99s-0e
DCA1 (key-env): 0-92.99-95.87-92.99-99.88s-43e
DCO2 (wave-env):3.1-99.66-99e
DCW2 (key-env): 0-99.99s-0e
DCA2 (key-env): 0-92.99-95.87-92.99-99.88-44e
DETUNE (+- oct - semi - fine):+0-0-10
MODULATION (1'or 2' - ring or noise): 2'
VIBRATO (wave-delay-rate-depth): 1-45-52-11
KEYBOARD OCTAVE (+ o -): +1
----------------------------------------------------------------
Name: Bird call #1
>From: Wayne Wylupski <ada-uts!wayne@...>
Line Modulation
Select Ring Noise +/- Octave Note Fine Wave Delay Rate Depth +/- Range
------ ---------- -------------------- --------------------- ---------
1 off off 0 0 0 0 1 00 80 68 + 1
-- DCO 1 -- -- DCW 1 -- -- DCA 1 --
Wave Form Key Follow Key Follow
First Second ---------- ----------
------------ 4 0
4 0
ENV (pitch) ENV (wave) ENV (amp)
------------- ---------- ------------------
Step 1 2 Step 1 Step 1 2 3
Rate 99 40 Rate 00 Rate 69 46 64
Level 65 0 Level 00 Level 88 99 00
End End End
NOTES : Built from the "whistle" preset. Play around with portamento,
and quickly a notes followed by their third or fourth.
----------------------------------------------------------------
Name: Bird call #2
>From: Wayne Wylupski <ada-uts!wayne@...>
Line Modulation
Select Ring Noise +/- Octave Note Fine Wave Delay Rate Depth +/- Range
------ ---------- -------------------- --------------------- ---------
1 off off 0 0 0 0 1 00 48 49 + 1
-- DCO 1 -- -- DCW 1 -- -- DCA 1 --
Wave Form Key Follow Key Follow
First Second ---------- ----------
------------ 4 0
4 0
ENV (pitch) ENV (wave) ENV (amp)
---------------- ---------- ------------------
Step 1 2 3 Step 1 Step 1 2 3
Rate 52 00 00 Rate 00 Rate 69 46 64
Level 66 00 00 Level 00 Level 88 99 00
End End End
NOTES : Built from the "whistle" preset. Vibrato can be taken off.
Short repeated key strokes work well.
----------------------------------------------------------------
Name: MASSIVE BASS
>From: Tom Benson <benson@...>
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 12' | | off| off | | + | 0 | 0 | 4 | | 1 |33 |23| 06| | - | 1 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 4 | 4 | | 3 | 4 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|50 | | | | | | | |0-99 rate|50 | | | | | | |
|
levl| 0 | | | | | | | |0-99 levl| 0 | | | | | | |
|
s/e | e | | | | | | | | s/e | e | | | | | | |
|
_____________________________________
_____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 7 |(0-9) | 7 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|97 |43 |50 |50 | | | | |0-99 rate|97 |43 |50 |50 | | | |
|
levl|99 |79 |87 | 0 | | | | |0-99 levl|99 |79 |87 | 0 | | | |
|
s/e | | | s | e | | | | | s/e | | | s | e | | | |
|
_____________________________________
_____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 9 |(0-9) | 9 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |21 |61 | | | | | |0-99 rate|99 |21 |61 | | | | |
|
levl|99 |88 | 0 | | | | | |0-99 levl|99 |88 | 0 | | | | |
|
s/e | | s | e | | | | | | s/e | | s | e | | | | |
|
_____________________________________
_____________________________________
****************************************************************************
*
COMMENT:
Based on Elec Guitar preset C-5. Play in the second octave.
****************************************************************************
*
----------------------------------------------------------------
Name: THWACK DRUMS
>From: Tom Benson <benson@...>
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 12' | | off| on | | + | 0 | 10 | 0 | | 3 | 0 |55| 85| | - | 1 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 5 | 1 | | 6 | 4 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|92 |99 | | | | | | |0-99 rate|99 |99 |13 | | | | |
|
levl|93 | 0 | | | | | | |0-99 levl|99 |53 | 0 | | | | |
|
s/e | | e | | | | | | | s/e | | s | e | | | | |
|
_____________________________________
_____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 8 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |99 |99 | | | | | |0-99 rate|99 |94 |50 | | | | |
|
levl|99 |86 | 0 | | | | | |0-99 levl|99 |99 | 0 | | | | |
|
s/e | | | e | | | | | | s/e | | s | e | | | | |
|
_____________________________________
_____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 1 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |41 |52 | | | | | |0-99 rate|99 |53 |52 | | | | |
|
levl|99 | 0 | 0 | | | | | |0-99 levl|81 |35 | 0 | | | | |
|
s/e | | s | e | | | | | | s/e | | | e | | | | |
|
_____________________________________
_____________________________________
****************************************************************************
*
COMMENT:
Based on "Tom toms 1" from Casio "Pro-tone data book." Play octaves 2+3.
****************************************************************************
*
----------------------------------------------------------------
Name: BELL ORGAN
>From: Tom Benson <benson@...>
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 12' | | off| off| | + | 3 | 07 | 08 | | 1 |49 |50| 10| | - | 1 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 2 | 5 | | 2 | 2 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|50 | | | | | | | |0-99 rate|50 | | | | | | |
|
levl| 0 | | | | | | | |0-99 levl| 0 | | | | | | |
|
s/e | e | | | | | | | | s/e | e | | | | | | |
|
_____________________________________
_____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 7 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 | | | | | | | |0-99 rate|99 |50 |52 |50 | | | |
|
levl| 0 | | | | | | | |0-99 levl|70 |68 |97 | 0 | | | |
|
s/e | e | | | | | | | | s/e | | | s | e | | | |
|
_____________________________________
_____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |55 |31 |31 | | | | |0-99 rate|99 |81 |31 |31 | | | |
|
levl|99 |89 |65 | 0 | | | | |0-99 levl|90 |86 |29 | 0 | | | |
|
s/e | | | s | e | | | | | s/e | | | s | e | | | |
|
_____________________________________
_____________________________________
****************************************************************************
*
COMMENT:
Based on "fairy tale" preset, B-8.
****************************************************************************
*
----------------------------------------------------------------
Name: ????
>From: Tom Benson <benson@...>
Line Select Modulation Detune Vibrato
Octave
+/- Octave Note Fine Wave Delay Rate Depth +/-
Range
1+1' + 1 8 1 38 60 4 0
DCO 1
Wave Form
First Second
2 3
Step 1 2
Rate 99 68
Level 33 0
END
DCW 1
Key Follow 9
Step 1 2 3 4
Rate 73 99 99 00
Level 88 96 99 00
SUS END
DCA 1
Key Follow 0
Step 1 2 3 4
Rate 82 99 88 62
Level 81 99 96 00
SUS END
* Use it at the extreme low end for a fat slightly distorted deep organy
sound. I don't know how else to explain it.
----------------------------------------------------------------
Name: Marimba
>From: John Pritchard <john%latcs1.oz@...>
line mod detune vibrato octave
1+2 + 2 00 01 1 51 60 05 -1
DCO 1
wave
1 0
rate level
50 00e
DCW 1
key
5
rate level
99 27
48 00e
DCA 1
key
6
rate level
94 99
32 00s
45 00e
DCO 2
wave
2 0
rate level
50 00e
DCW 2
key
1
rate level
99 12
12 00e
DCA 2
key
3
rate level
95 99
54 36
28 00s
60 00e
----------------------------------------------------------------
Name: Space Shots
>From: Chris Malley <..!ucbvax!ihnp4!daimler!cvm>
line mod detune vibrato octave
1+1' off/off - 0 00 06 3 0 35 93 (whatever you like best)
DCO 1
wave
8 0
rate level
99 33
33 0 END
DCW 1
key
0
rate level
99 99
46 99
37 52 SUS
26 0 END
DCA 1
key
0
rate level
99 50
77 99
67 91 SUS
79 92
26 0 END
Comments: This sounds kind of like the laser fire in a cheap video game.
To change the number of shots fired each time you push a key,
change the rate of DCA 1, STEP 5.
To vary the speed at which shots are fired, vary the vibrato
rate (most effective if you do this while playing.)
----------------------------------------------------------------
Name: Glissando Filter Sweep
>From: Chris Malley <..!ucbvax!ihnp4!daimler!cvm>
line mod detune vibrato octave
1+1' off/off - 0 00 06 1 0 0 6 - 1
DCO 1
wave
8 0
rate level
99 33
70 0 END
DCW 1
key
0
rate level
99 99
46 99
37 52 SUS
26 0 END
DCA 1
key
0
rate level
99 50
77 99
67 91 SUS
79 59
33 0 END
Comments: This sound creates a "high-to-low" filter sweep in discrete
increments
(hence, glissando) each time a key is pressed. The sweep is most noticable
in the lower range of the keyboard. For really gothic song intros,
try setting DETUNE OCTAVE to -1 and playing single notes going slowly
>from high to low on the keyboard.
(Notice that the parameter values of this sound are very similar
to those of Space Shots. By tweaking the vibrato, DCO1, DCA1
it becomes a semi-musical sound.)
----------------------------------------------------------------
Name: Diva Harmonic
>From: Tom O'Brien <..!cbosgd!bpa!swatsun!obrien>
An ethereal third harmonic fades in as the fundamental fades out.
Play slowly & hold down the keys for several seconds for full effect.
Reminiscent of some of the music in the film _Diva_.
Line 1+2' Octave 0
Detune + OCT 1, NOTE 7 FINE 0
Vibrato: Wave 1 Delay 0 Rate 0 Depth 0
Modulation: None
DCO 1 Wave 1 Env 0/0/END
DCW 1 Key 0 Env 53/5 37/0/END
DCA 1 Key 0 Env 38/99 30/0/END
DCO 2 Wave 1 Env 0/0/END
DCW 2 Key 0 Env 32/5 25/0/END
DCA 2 Key 0 Env 32/99 30/0/END
----------------------------------------------------------------
Name: Landing 747
>From: Tom O'Brien <..!cbosgd!bpa!swatsun!obrien>
The best sound comes from keys at the low end of the keyboard, I think.
Hold down the key to let the effect complete its cycle.
Holding several adjacent keys works well, too.
Line 1+2' Octave -1
Detune - OCT 1, NOTE 0 FINE 0
Vibrato: Wave 1 Delay 31 Rate 36 Depth 0
Modulation: Noise
DCO 1 Wave 5 Env 99/95 9/43/SUS 8/0/END
DCW 1 Key 0 Env 99/73/SUS 9/62 9/0/END
DCA 1 Key 6 Env 56/88/SUS 10/28 37/0/END
DCO 2 Wave 5 Env 99/80 24/43/SUS 8/0/END
DCW 2 Key 0 Env 99/81/SUS 9/62 9/0/END
DCA 2 Key 2 Env 53/81/SUS 10/37 30/0/END
----------------------------------------------------------------
Name: Thompson Bass
>From: Tom O'Brien <..!cbosgd!bpa!swatsun!obrien>
Similar to the plucked bass sound used on several Thompson Twins records.
After an initial transient, the note fades to a muted drone.
Line 1+2' Octave -1
Detune - OCT 0, NOTE 0 FINE 0
Vibrato: Wave 1 Delay 0 Rate 0 Depth 0
Modulation: None
DCO 1 Wave 3 Env 0/0/END
DCW 1 Key 9 Env 99/94 55/23/SUS 37/0/END
DCA 1 Key 0 Env 99/99 63/70/SUS 50/0/END
DCO 2 Wave 3 Env 0/0/END
DCW 2 Key 9 Env 99/94 55/23/SUS 37/0/END
DCA 2 Key 0 Env 99/99 63/70/SUS 50/0/END
----------------------------------------------------------------
Name: Brass Strings
>From: Brian Yamauchi <yamauchi@...>
Line Select: 1+2'
Modulation: Ring = OFF Noise = OFF
Detune: Octave = 0 Note = 0 Fine = +6
Vibrato: Wave = 1 Delay = 28 Rate = 52 Depth = 11
Octave:
DCO1 DCO2
---- ----
First = 1 Second = 5 First = 1 Second = 3
Rate: 99 99 Rate: 99 68
Level: 66 00 Level: 33 00
Sus/End: E Sus/End: E
DCW1 DCW2
---- ----
Key Follow: 0 Key Follow: 0
Rate: 99 00 Rate: 80 47 37 26
Level: 90 00 Level: 99 96 52 00
Sus/End: S E Sus/End: S E
DCA1 DCA2
---- ----
Key Follow: 0 Key Follow: 0
Rate: 92 95 92 99 45 Rate: 99 77 67 79 33
Level: 99 87 99 88 00 Level: 50 99 91 59 00
Sus/End: S E Sus/End: S E
Comment: This patch started as a combination of the Synth Strings preset and
Synth Brass 1. It works well for lead lines on the upper half of the
keyboard.
----------------------------------------------------------------
Name: Ice Blue
>From: Brian Yamauchi <yamauchi@...>
Line Select: 1+1'
Modulation: Ring = OFF Noise = OFF
Detune: Octave = 0 Note = 0 Fine = -7
Vibrato: Wave = 1 Delay = 0 Rate = 0 Depth = 0
Octave:
DCO1 DCO2
---- ----
First = 2 Second = 0 First = Second =
Rate: 00 Rate:
Level: 00 Level:
Sus/End: E Sus/End:
DCW1 DCW2
---- ----
Key Follow: 5 Key Follow:
Rate: 99 50 Rate:
Level: 85 00 Level:
Sus/End: S E Sus/End:
DCA1 DCA2
---- ----
Key Follow: 0 Key Follow:
Rate: 99 50 50 40 Rate:
Level: 80 99 50 00 Level:
Sus/End: S E Sus/End:
Comment: Sounds almost like a synth clarinet.
----------------------------------------------------------------
Name: Pseudosilk
>From: Brian Yamauchi <yamauchi@...>
Line Select: 1+1'
Modulation: Ring = OFF Noise = OFF
Detune: Octave = 0 Note = 0 Fine = +7
Vibrato: Wave = 1 Delay = 0 Rate = 0 Depth = 0
Octave:
DCO1 DCO2
---- ----
First = 1 Second = 0 First = Second =
Rate: 00 Rate:
Level: 00 Level:
Sus/End: E Sus/End:
DCW1 DCW2
---- ----
Key Follow: 7 Key Follow:
Rate: 93 60 42 Rate:
Level: 99 90 00 Level:
Sus/End: S E Sus/End:
DCA1 DCA2
---- ----
Key Follow: 0 Key Follow:
Rate: 75 55 40 Rate:
Level: 68 99 00 Level:
Sus/End: S E Sus/End:
Comment: This patch was designed to sound like the lead synth in Pseudosilk
Kimono by Marillion.
----------------------------------------------------------------
Name: Oracle
>From: Brian Yamauchi <yamauchi@...>
Line Select: 1+1'
Modulation: Ring = OFF Noise = OFF
Detune: Octave = 0 Note = 0 Fine = +7
Vibrato: Wave = 2 Delay = 0 Rate = 60 Depth = 30
Octave:
DCO1 DCO2
---- ----
First = 2 Second = 7 First = Second =
Rate: 00 Rate:
Level: 00 Level:
Sus/End: E Sus/End:
DCW1 DCW2
---- ----
Key Follow: 0 Key Follow:
Rate: 99 40 Rate:
Level: 99 00 Level:
Sus/End: S E Sus/End:
DCA1 DCA2
---- ----
Key Follow: 0 Key Follow:
Rate: 99 30 Rate:
Level: 99 00 Level:
Sus/End: E Sus/End:
Comment: An exotic-sounding tone.
----------------------------------------------------------------
Name: Choral oooh
>From: David Coleman <ah5@...>
Line Select: 1 + 2'
Modulation: none
Detune (-) oct: 0
Note: 00 fine: 07
Vibrato wave: 1 delay: 40
rate: 26 depth: 03
Octave -1
DCO1 wave 1st: 1 2nd: 0
step 1 2 3
rate 86 00 74
level 66 10 00
sus/end sus end
DCW1 key follow: 6
step 1 2 3
rate 70 00 50
level 24 79 00
sus/end sus end
DCA1 key follow: 0
step 1 2 3 4
rate 85 36 40 50
level 99 40 00 00
sus/end sus end
DCO2 wave 1st: 2 2nd: 0
step 1 2 3
rate 59 81 00
level 66 62 00
sus/end sus end
DCW2 key follow: 5
step 1 2 3
rate 70 69 50
level 28 79 00
sus/end sus end
DCA2 key follow: 9
step 1 2 3
rate 85 83 50
level 99 37 00
sus/end sus end
Comments: "Choral oooh" was a semi-successful experiment to see if
something close to vocals could be obtained. As you CZ
owners know, the "human voice" preset sounds ok, but not
at all like a human voice. "Choral oooh" sounds something
like a person singing "oooh" (long u sound). It is not
perfect, but I think you will find it outclasses the human
voice preset by far. This voice sounds best when you play
major chords on the middle-high octave range. Try playing
with the line select, too.
----------------------------------------------------------------
Name: Reverb Strings
>From: David Coleman <ah5@...>
Line Select: 1 + 1'
Modulation: none
Detune (+) oct: 0
Note: 00 fine: 10
Vibrato wave: 1 delay: 28
rate: 52 depth: 11
Octave +1
DCO1 wave 1st: 1 2nd: 3
step 1 2
rate 99 99
level 66 00
sus/end end
DCW1 key follow: 0
step 1 2
rate 99 00
level 99 00
sus/end sus end
DCA1 key follow: 4
step 1 2 3 4 5 6 7
rate 64 95 75 75 79 63 26
level 99 99 76 76 33 87 00
sus/end sus end
DCO2 wave 1st: 1 2nd: 3
step 1 2
rate 99 99 (Same as DCO1)
level 66 00
sus/end end
DCW2 key follow: 0
step 1 2
rate 99 00 (Same as DCW1)
level 99 00
sus/end sus end
DCA2 key follow: 0
step 1 2 3 4 5
rate 92 95 92 99 32
level 99 87 99 88 00
sus/end sus end
Comments: "Reverb Strings" is a modification of the preset "Synth
Strings". The "reverb" comes from playing the note not
only when a key is pressed, but also when the key is
released. Try holding a chord and then letting off the
keys one at a time, and you will hear the effect. With
a little practice on the timing of pressing and releasing
the keys, you can get some interesting effects such as
eight eighth notes when only when four eighth notes
separated by eighth rests are played.
----------------------------------------------------------------
Name: Buzzing Fly
>From: Glenn Bruns <bruns@...>
line mod detune vibrato octave
1+1' ring + 3 06 11 1 00 11 44 -1
DCO 1
wave
2 7
rate level
50 00s
50 00e
DCW 1
key
0
rate level
99 80
35 57
41 96
40 47
41 79
39 62
40 95
30 00e
DCA 1
key
0
rate level
99 80
33 67
33 86
34 64
32 78
33 65
35 79s
28 00e
Comments: An annoying patch to enter manually, but amusing.
----------------------------------------------------------------
Name: Drill
>From: Glenn Bruns <bruns@...>
line mod detune vibrato octave
1+1' noise + 2 00 40 1 36 66 62 0
DCO 1
wave
1 2
rate level
55 82s
54 39
00 00e
DCW 1
key
4
rate level
82 92s
26 45
00 00e
DCA 1
key
0
rate level
63 99s
47 68
70 00e
Comments:
----------------------------------------------------------------
Name: Dropped Bomb
>From: Glenn Bruns <bruns@...>
line mod detune vibrato octave
1+2' noise - 0 05 07 1 24 54 00 -1
DCO 1
wave
5 0
rate level
99 86
38 00e
DCW 1
key
4
rate level
99 40
50 80s
99 00e
DCA 1
key
0
rate level
99 20
36 40s
99 00e
DCO 2
wave
3 3
rate level
99 65
40 66s
00 00e
DCW 2
key
4
rate level
99 99
40 75
40 77
40 51
44 00e
DCA 2
key
0
rate level
99 20
36 40s
99 00e
Comments: Press key to drop bomb, release to explode. Best range seems
to be in the octave above middle C. I have yet to get a decent explosion
sound out of the CZ -- this explosion is weak.
----------------------------------------------------------------
Name: OIL-DRUM / JARS / TOY PIANO
>From: J. Peter Alfke <alfke@...>
Comments: Sound depends on what octave you play at. Very nice ringy
metallic
sounds; the piano in particular is *perfect*.
Then plug in distortion [I'm using an Arion Metal Master] and get
twisted wicked sounds with intense feedback sustain. Twiddle the
pitch-bend knob and be your own Jimi Hendrix or Thurston Moore!
[Based on Casio Synth. Harp]
Line: 1+1' Mod: Ring Detune: +0 5 18 Vibrato: none
Octave: +1
DCO 1: Wave 2 0
99 99
67 00
END
DCW 1: Key 0
99 55
99 00
END
DCA 1: Key 7
99 31 16
99 98 00
END
----------------------------------------------------------------
Name: HAMBURGER LADY
>From: J. Peter Alfke <alfke@...>
Comments: Very Throbbing Gristle. Sounds like the background grind to
"Hamburger Lady"; play one or two low notes. Not perfect, but
pretty good. You can also turn off the vibrato and hit
crashing atonal chords in the low octave; another very T.G sound.
[Based on Casio Bass Guitar]
Line: 1+1' Mod: Ring Detune: +1 11 34 Vibrato: 1 30 2 66
Octave: -1
DCO 1: Wave 3 4
50
00
END
DCW 1: Key 9
99 45 40 41
80 45 30 00
SUS END
DCA 1: Key 1
99 25 35 42
90 80 75 00
SUS END
----------------------------------------------------------------
Name: newhorn
>From: Paul Boutin <paul@...>
line mod detune vibrato octave
1+2 ring + 0 00 12 1 27 49 11 (0,+1)
DCO 1
wave
3 2
rate level
00 00e
DCW 1
key
4
rate level
67 79
15 00e
DCA 1
key
2
rate level
70 91
70 67
70 96
70 77
70 99s
44 00r
DCO 2
wave
3 2
rate level
00 00e
DCW 1
key
4
rate level
72 79
15 00e
DCA 1
key
2
rate level
70 91
70 67
70 96
70 77
70 99s
35 00r
Comments: Tone mix one voice in octave 0 with one in octave +1
----------------------------------------------------------------
Name: Drilling
>From: Glenn Bruns <bruns@...>
line mod detune vibrato octave
1+1' noise - 2 00 40 1 36 66 62 0
DCO 1
wave
1 2
rate level
55 82s
54 39
00 00e
DCW 1
key
4
rate level
82 92s
26 45
00 00e
DCA 1
key
0
rate level
63 99s
47 68
70 00e
Comments: High notes sound like dentist's drill; low notes sound
more like 3/8" drill into wood.
----------------------------------------------------------------
Name: Nightporter
>From: Steve Conti
line mod detune vibrato octave
1+2 + 0 00 12 0
DCO 1
wave
1 0
rate level
00 00e
DCW 1
key
9
rate level
60 60
12 00e
DCA 1
key
0
rate level
95 30
99 00e
DCO 2
wave
2 0
rate level
50 00e
DCW 2
key
9
rate level
77 50
12 00e
DCA 2
key
5
rate level
95 30
99 00e
Comments:
"'Nightporter' was programmed (surprise, surprise) in an
attempt to recreate the mood of the Satie-influenced Japan song of the
same name. If the sound comes across too sweet for your taste, reduce
the Fine Detune to around 09 for a more piano-like sound. Some slow
modulation delayed to the tail-end of the sound adds a different
dimension, too." -_MT_
----------------------------------------------------------------
Name: ????
>From: Chris Cuthbert <cpc@...>
LINE RING NOISE +/- OCTV NOTE FINE WAVE DELAY RATE DPTH OCTV
1+2 OFF OFF + 0 00 07 1 00 00 00 -1
LINE 1 LINE 2
WAVEFORMS WAVEFORMS
3 0 4 0
PITCH ENVELOPE PITCH ENVELOPE
RATE 50 50 RATE 50
LEVL 00 00 LEVL 00
S E E
DCW KEYFOLLOW DCW KEYFOLLOW
0 0
WAVE ENVELOPE WAVE ENVELOPE
RATE 72 20 RATE 87 56 33 89 72 57
LEVL 41 00 LEVL 98 76 58 61 30 00
S E E
DCA KEYFOLLOW DCA KEYFOLLOW
0 0
AMPLITUDE ENVELOPE AMPLITUDE ENVLOPE
RATE 99 50 RATE 99 50
LEVL 99 00 LEVL 99 00
S E E
----------------------------------------------------------------
Name: Real fat Oberheim-like moan
>From: Paul Boutin <paul@...>
line 1+1' octave 0 or -1 vibrato w1 d28 r49 d21
det + 1 00 10
DCO 1 DCW 1 DCA 1
wave key fol key fol
4 3 0 0
rt lv rt lv rt lv
99 66 91 67s 77 60
99 00e 00 00e 48 68
39 99
68 99s
32 00e
----------------------------------------------------------------
Name: Snare double for drum machine
>From: Paul Boutin <paul@...>
line 1+2' octave 0(?) vibrato off noise detune + 3 11 60
DCO 1 DCW 1 DCA 1
wave key fol key fol
2 2 0 0
rt lv rt lv rt lv
99 99 95 29 88 99
77 00e 41 00 36 91
79 60
54 00
55 00 \
51 00 > Hey, do these do anything?
47 00 /
50 00e
DCO 2 DCW 2 DCA 2
wave key fol key fol
2 2 0 2
rt lv rt lv rt lv
99 99 96 34 89 99
77 00 41 00e 36 91
79 59
55 00
50 00
50 00
50 00
49 00e
Note: I didn't write down the octave setting, but when set up
correctly there will be this surprise "clank" somewhere in the second
octave of the keyboard, and a more electronic-drum-like bash on the
low C. Reuben had this timed to go w
(Message over 64 KB, truncated)Message
cz patches
2012-08-19 by charlie 'chop' copp