One problem I've encountered with the Evolver is that the stereo signal path and multiple delay lines really encourage the programming of very wide sounds with crazy panning and a lot of stereo depth. Stereo synth sounds are pretty hard to place in a mix so I have started to program all of my patches in mono. I also feel that the depth and space that delay can create is a choice that should probably be left for the mixing stage and so I've tried to stop overusing the evolver's delay. So those are two factors that I think give the Evolver a lot of it's initial "wow" appeal (as heard in the presets) but make it tough to use those sounds musically.
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Re: mixing analog and digital sounds
2004-10-15 by pela_gius
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