Hi Jim, I must confess that the only times I've ever tried double bass figures were away from a drum kit. Like yours, my initial impressions of that style of drumming tended toward bombast. Mine were formed largely by hanging around Ginger Baker for a while when Cream first came to the US. It all seemed so extravagant and exotic, even though at the time, his technique was mostly, if not exclusively, single-stroke, more about stamina and sound than nuance. I'm not surprised that Billy Cobham and Steve Gadd have those kinds of chops, though I wouldn't have expected Paul Weller's drummer to have them. It is true, however, that drummers who have a lot of headroom in their playing somehow make even relatively simple rhythmic material sound special. Witness the pop session work by Gadd or Vinnie Colaiuta, for example. Anyway, your article is wonderful and clear, and turns double bass into the kind of art that we clubfooted single pedal pushers can now appreciate better (and envy). Thanks, Ed --- In DTXpress@yahoogroups.com, "James Sharp" <jimbosharp@t...> wrote: > I wrote an article on heel/toe a couple of years ago that may help. It's > especially useful with DTXpress users who use the hi hat pedal as their > auxiliary bass pedal. > Let me know what you think, here's the link: - > > http://www.drumset.com/articles/jun-99.html > > Jim.
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Re: Double bass.
2002-12-30 by liberatusvirus <liberatusvirus@yahoo.com>
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