I am reading and enjoying the descriptions and photos of some members' "Monster Kits.' I have resisted this urge. It is powerful! One of the main reasons I switched to Electronics was the portability and onstage space factors. When I played acoustic, I had a lot of extra stuff: many toms, many cymbals; Cowbells, tambourines,etc. I needed all this stuff. But, I never played all that stuff on any one song. When I bagan triggering my acoustic kit, I added 3 extra pads for accessories. One was a home-made device I put in front of my HiHats to trigger a cowbell or tambourine while playing the hats. Now that I have gone all electronic, I find a basic kit works great for my needs. Snare (dual-zone), HiHat, Kick, 3 Toms, 2 Crashes, Ride, and two or three extra pads for the percussion accessories. When I need something different, I just switch kits. My only problem is the basic kit takes up all the inputs. I could manage one accessory pad if i do without the dual zone snare. So I had to add another module or trigger interface for a couple lousy pads.I tried the Roland SPD-6, but it had a terrible cross-talk problem. I have a Roland TD-5, and a PM-16 that I am alternating. I can't decide which I like best. The PM-16 is kind of unweildy, but I can use the XPress sounds. The TD-5 has some very cool sounds, plus it is almost exactly the same size and shape as the XPress. I was wondering, is this how the 'Monster Kits' began? You had the extra inputs, so you had to fill them up? Just wondering....Scott
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observations
2003-04-12 by hairytrigger
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