3 trigger pads
2004-10-22 by a79flh3873@aol.com
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2004-10-22 by a79flh3873@aol.com
All, Can someone comment on what I can expect from a kit that has multiple triggers in a pad. Specifically, the differences in 2 & 3 trigger pads for snares, toms & cymbals? Thanks, Larry in NJ
2004-10-22 by rdamon@mckinney-usa.com
Larry, With a 2 trigger snare you will get a main snare pad sound and a rim switch for a rim shot sound. With a 3 trigger snare you will get a main pad snare sound, a rim shot sound and a cross-stick sound. Any of which can be changed to any sound you like. With a tom pad it is the same as a snare with a 2 trigger pad. With the 3 trigger you usually use the main pad for the basic tom pad sound and the bottom rim for a rim shot sound. The 3 trigger on the top rim can be used for anything you want, such as a percussion sound or triggering a pad song or for changing kit numbers, just depending on which module you have and which input it is plugged into. On the Dtxpress II/III/IIIsp only inputs 2, 6 & 7 are able to handle all three sounds. On the other inputs 1, 3,4,5,8 you will get only one rim sound even if you have two separate rim switches. With a 2 trigger cymbal, you will get a bow and an edge sound and depending on which input it is plugged into you will get choking (muting the sound by grabbing the edge of the cymbal.) With a 3 trigger cymbal, you will get a bell, a bow and an edge sound and choking. These pads must be plugged into inputs 2, 6 or 7 on the Dtxpress II/III/IIIsp. The Dtxpress I does not have 3 trigger (zone) ability. Plugging a 3 trigger(zone) cymbal into a 2 trigger input you will only get two sound, pad and rim/bell. Just keep in mind that the inputs 1-8 on the Dtxpress are stereo (pad piezo/ribbon rim switch) and not dual zone (two piezo's). Only input 9/10 is a dual zone input (or two mono inputs). OGD _____
From: a79flh3873@... Sent: Friday, October 22, 2004 11:45 AM To: DTXpress@yahoogroups.com Subject: [DTXpress] 3 trigger pads All, Can someone comment on what I can expect from a kit that has multiple triggers in a pad. Specifically, the differences in 2 & 3 trigger pads for snares, toms & cymbals? Thanks, Larry in NJ ************************************************************************** The information transmitted herewith is sensitive information intended only for use to the individual or entity to which it is addressed. If the reader of this message is not the intended recipient, you are hereby notified that any review, retransmission, dissemination, distribution, copying or other use of, or taking of any action in reliance upon, this information is strictly prohibited. If you have received this communication in error, please contact the sender and delete the material from your computer. ______________________________________________________________________ This email has been scanned by the MessageLabs Email Security System. For more information please visit http://www.messagelabs.com/email ______________________________________________________________________
2004-10-23 by Gregory Bryant
Wow, What a shi--y summer...I bit off way more than I can chew and I'm paying the price. I love your response OGD. A lot of us just leap into a thread EGO-first. I've been working on several threads and discussions that were just an idiotic waste of time trying to learn more than I can digest. I wish the real idiots would get their own backbone and leave those of us that are patient and serious a reliable place to interact. Okay, a question. I have an Xpress II (Oh, I'm not a drummer. I'm a bassist grown weary of the drum-machine) which has a Pintech mesh 2-zone snare; the original xII 2-zone was "insterted" as Tom 1 giving me Tom 1 through 4. My first task is to activate Tom 4 for use with factory durm kits. I would like to avoid creating a new drum kit while I'm tinkering around and I don't mind that my Tom 4 assignments will not be saved for now. If I ever ask too much, please feel free to direct me to the documentation! Many Thanks, greg --- rdamon@... wrote:
> Larry, > > With a 2 trigger snare you will get a main snare pad sound and a rim switch > for a rim shot sound. With a 3 trigger snare you will get a main pad snare > sound, a rim shot sound and a cross-stick sound. Any of which can be changed > to any sound you like. > > With a tom pad it is the same as a snare with a 2 trigger pad. With the 3 > trigger you usually use the main pad for the basic tom pad sound and the > bottom rim for a rim shot sound. The 3 trigger on the top rim can be used > for anything you want, such as a percussion sound or triggering a pad song > or for changing kit numbers, just depending on which module you have and > which input it is plugged into. On the Dtxpress II/III/IIIsp only inputs 2, > 6 & 7 are able to handle all three sounds. On the other inputs 1, 3,4,5,8 > you will get only one rim sound even if you have two separate rim switches. > > With a 2 trigger cymbal, you will get a bow and an edge sound and depending > on which input it is plugged into you will get choking (muting the sound by > grabbing the edge of the cymbal.) > > With a 3 trigger cymbal, you will get a bell, a bow and an edge sound and > choking. These pads must be plugged into inputs 2, 6 or 7 on the Dtxpress > II/III/IIIsp. The Dtxpress I does not have 3 trigger (zone) ability. > Plugging a 3 trigger(zone) cymbal into a 2 trigger input you will only get > two sound, pad and rim/bell. > > Just keep in mind that the inputs 1-8 on the Dtxpress are stereo (pad > piezo/ribbon rim switch) and not dual zone (two piezo's). Only input 9/10 is > a dual zone input (or two mono inputs). > > OGD > > _____ > > From: a79flh3873@... Sent: Friday, October 22, 2004 11:45 AM > To: DTXpress@yahoogroups.com > Subject: [DTXpress] 3 trigger pads > > > All, > > Can someone comment on what I can expect from a kit that has multiple > triggers in a pad. Specifically, the differences in 2 & 3 trigger pads for > snares, toms & cymbals? > > Thanks, > Larry in NJ > > > ************************************************************************** > The information transmitted herewith is sensitive information intended only > for use to the individual or entity to which it is addressed. If the reader > of this message is not the intended recipient, you are hereby notified that > any review, retransmission, dissemination, distribution, copying or other > use of, or taking of any action in reliance upon, this information is > strictly prohibited. If you have received this communication in error, > please contact the sender and delete the material from your computer. > > > ______________________________________________________________________ > This email has been scanned by the MessageLabs Email Security System. > For more information please visit http://www.messagelabs.com/email > ______________________________________________________________________
2004-10-23 by oldguydrummer
Well, first off, as a moderator of this group, let me assure everyone, that at this group, there are no stupid or waste of time questions that deal with edrums. Sometimes you have to ask what may seem to you a real question but to others a stupid question, but that is the only way most can start out. Somethings when you are new to edrumming, you just don't know what questions to ask, becauase you just don't have any experience with edrumming gear. So, please ask any questions. When you add any pads to the Dtxpress II module that is not replacing an existing one, you will for the most part need to start making your own kits. IF you want to maintain use of the factory kits and the factory songs, then you really need to maintain the original pad input orientations with regards to the inputs on the back of the module. And thus add the extra pads to inputs 9/10. Even when you move the KP65 from input 1 up to input 9/10, your are still really using input 9/10 for the extra pads. In the case of adding just one tom pad, I would probably moved the TP65S to input 4, to be tom1 and moved the original Tp65 from input 4 up to input 9. Then I would have setup input 9 as the fourth tom. That way you would preserve your factory kits, with the exception of the tom4 sound, unless you modified it everytime you turned on the module. When the original snare pad TP65S, which is a stereo 3 zone pad is moved up to input 4, then the separate third zone sound is lost, because input 4 is a stereo 2 zone input. Both the rim switches will trigger the same sound, i.e. the sound assigned to rim1. The only way to continue to use all three of the zones would be to move the extra TP65S up to input 6 or 7, which are the other stereo 3 zone inputs. But this would mean that you would have to completely reconfigure the drum kit and start using "user Kits" only. Making a "user kit" is really not difficult and the easiest way is to start with one of the factory kits that you like and copy it to a user kit and then modify the user kit from that point, since most of the work is already done for you. Since most folks really only find two or three factory kits useful, then simply make two or three user kits and give them the same name as the factory kits, with say a postscript of "M" for modified. And if you really like more factory kits then you can create up 40 user kits, that are identical to the factory kits with the exception of the minor modification for the newer pads. OGD --- In DTXpress@yahoogroups.com, Gregory Bryant <gregbryant@s...> wrote: ... I have an Xpress II which has a Pintech mesh 2-zone snare; the original xII > 2-zone was "insterted" as Tom 1 giving me Tom 1 through 4. My first task is to > activate Tom 4 for use with factory durm kits. I would like to avoid creating a new > drum kit while I'm tinkering around and I don't mind that my Tom 4 assignments will not > be saved for now. >