Digital BW, The Print

Well that is the key with these kinds of papers, keeping them flat during printing. I've had more than my share of head strikes and splattered ink.

Two things you can do, one is turn off the vacuum mechanism on the printer if yours will allow that. The second is to tape the sheet to a backing sheet. This is what I've always done, regardless of size. I buy cheap fairly thin poster board or something like that, and tape the Japanese papers to it with drafting tape (NOT masking tape) that easily peels off after printing. And you need to set your printer to the thickest setting to avoid head scrapes.

j

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Mark Savoia <mark@...> wrote:
>
> I think that is a reasonable price for handmade papers. I would be  
> interested in 16"x20" size for my own work, and like CD Tobie said,  
> with deckle edge but some way to keep it flat during printing.
> 
> Mark
> http://www.stillrivereditions.com
> 
> On Apr 21, 2010, at 11:08 PM, gumkeith wrote:
> 
> > I appreciate your suggestion. Quantity and size are all important of  
> > course but I am currently pulling  16" x 20" for $2.50 a sheet for  
> > 100 or less. No doubt this price far exceeds machine made paper, but  
> > for the discriminating artist/buyer, handmade Gampi is the king of  
> > fibers which may make little difference to a commercial client. In a  
> > gallery setting however, it makes an impression.
> >
> > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, Mark Savoia  
> > <mark@> wrote:
> >>
> >> I think we need to bring cost into the picture too. I assume each  
> >> sheet would be a premium price, and well deserved being it is hand  
> >> made, but will it be cost efficient for us who print production.  
> >> Its a good idea, but before you get us all excited I think you  
> >> might want to post a price range you are thinking of selling your  
> >> papers. Just a thought.
> >>
> >> Mark
> >> http://www.stillrivereditions.com
> >>
> >> On Apr 21, 2010, at 7:41 PM, C D Tobie wrote:
> >>
> >>>>> This is my first post.  I am a papermaker interested in making
> >>> handmade sheets of Gampi for  digital printmakers.  To do so will
> >>> require a mould suited to your medium.  Mould making is a very
> >>> demanding skill so the correct dimension is essential. Are there
> >>> standard sizes and weights? If so, please advise which are most  
> >>> widely
> >>> used. Are the deckles trimmed?  I am using 100% Gampi. The color  
> >>> is a
> >>> natural buff but I could whiten it with additives. Any advise  
> >>> would be
> >>> very useful .
> >>>
> >>> Inkjet sizes are ideally based on the smaller dimension fitting  
> >>> one of the standard printer widths, and the length being,  
> >>> typically, 1.5 times that width, though other ratios would also be  
> >>> desirable. The printer widths are 13", 17", 24",  and then  
> >>> possibly 36", as well as 42". You might not want to produce all  
> >>> those widths; and the larger of the sizes may not be practical for  
> >>> you, but that would be the ideal lineup.
> >>>
> >>> Deckle edges are wonderful, and would provide a "striking"  
> >>> handmade effect, but would need to be carefully taped, to assure  
> >>> they do not cause jams and head strikes in the printer. Providing  
> >>> pretaped deckle edges, with a removable tape, would be a very  
> >>> unique feature.
> >>>
> >>> Whiteners are quite undesirable in a pH balanced, acid free, long  
> >>> life paper, as they fade out over time, and may even cause cascade  
> >>> effects that fade the inks as well. Some papers are offered in  
> >>> both a whitened and a natural version, to let customers choose for  
> >>> themselves.
> >>>
> >>> Coatings are another issue. Many papers use an opaque white  
> >>> coating, so that the substrate is totally hidden by the coating. A  
> >>> very few inkjet users print on uncoated rag papers, and accept the  
> >>> reduced color gamut and weaker blacks as a side effect of that  
> >>> choice. There are also less common transparent coatings that  
> >>> reside inside, not on top of the media, that can produce an  
> >>> excellent gamut, while retaining the look and feel of the substrate.
> >>>
> >>> A neutralized Gampi paper, with taped deckle edges and a  
> >>> transparent coating, in convenient inkjet sizes would be a very  
> >>> tempting product. Best of luck!
> >>>
> >>>
> >>> C. David Tobie
> >>> Global Product Technology Manager
> >>> Digital Imaging and Home Theater
> >>> Datacolor inc.
> >>> cdtobie@
> >>> www.datacolor.com
> >>
> >
> >
> >
> >
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