While there is consensus that 16-bit K7 improves on K3 in general it would surprise me if 16-bit K7 isn't over the top considering the actual resolution + tone reproduction of the best paper coatings we have. To what value either on 16-bit or on grey inks could it be reduced to match best print quality possible? Is an 8-bit K7 already beyond that quality (now), couldn't a 16-bit K4 printer be equal then? Not to mention droplet sizes and weaving structures. It isn't just Shilesh who asks those questions. Prints in hand count but subjectivity then also creep in. If smoothness compromises acutance the observers may split in two groups and both are right. Pixel peeping has been criticised for good reasons but at the same time digital photography made enormous progress due to the technical improvements that gave us more and better pixels. I have not seen MTF charts of inkjet papers/inks/printers, maybe it is time for a practical solution to get that kind of information on the table. -- Met vriendelijke groeten, Ernst Try: http://tech.groups.yahoo.com/group/Wide_Inkjet_Printers/ | Dinkla Grafische Techniek | | www.pigment-print.com | | ( unvollendet ) |
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Re: [Digital BW] Re: How Many Shades of Gray - K7 vs K3?
2011-03-21 by Ernst Dinkla
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