Peter, as I understand it, in a stack of layers, each layer acts upon the cumulative actions of the layers below it. So two curves layers will act differently than two data layers. This is the same logic that dictates that when you want to use an adjustment layer to modify the image (i.e. overall contrast, or gamma), you put it below the VM layer, but if you want to modify the VM layer itself (in order to tweak for linear response) you put the adjustment layer above the VM layer. Or maybe I've been sniffing too much Kami... Bill Morse PhotoProspect Cambridge, MA 02139 on 3/8/02 12:48 AM, Peter Lindman wrote: Martin What if you used two adjustment layers (one nc and one mw) at the top of a layer stack, with both set to 50% opacity? Peter Martin Wesley wrote: > > Here is a tip I got from Paul Roark when he spoke to the SF Bay Area > meeting. > > Someone asked if there was a curve between the "nc" or neutral cool > and the "mw", medium warm. Paul suggested that before printing you > flatten your image and then make a duplicate layer. Apply one curve to > the background layer and the other to the duplicate. Use the opacity > of the duplicate layer to fine tune the print tone. > > I imagine this would also be useful where one curve gives you a not > quite linear response in an image. Blending two layers might be away > out of flat spots in difficult images. > > Paul, please jump in here if I heard you wrong. [Non-text portions of this message have been removed]
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Re: [Digital BW] Using Variable Mix Curves
2002-03-08 by Bill Morse
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