Yup I agree , but it's a sign of the times with everything that is going on with digital. Sadly we'll likely see more of it as time goes on.. So a share for those of us that are stubborn ..well, or think they are. I'll admit to not shooting 35mm film anymore but still have one heck of a stable of 35mm camera's and literally hundreds of rolls of transparency and B&W film.. Like David I have a Pentax 6x7 also have a couple of 4x5's and 8x10's. Plus a zoom back for the 4x5. These I still shoot. And I think I have enough film to last easily the rest of my life.. I have for many years used a process of shooting film , drum scanning & print.. Sadly I never got much into the dark room side of it like so many did.. when I discovered drum scanning that was the way I choose to go so abandoned the print side of my old dark room. I do have a film processer so I can develop my own but generally it's easier for me to ship it out for developing to a lab as my volumes are low.. Anyway for the past couple of years I've been doing something a bit off the wall and it has honestly helped me justify keeping that side of it going.. So I'd like to share that. I have only been doing it with 4x5 so far.. The only images I am doing this with are images that are worth doing it with so for me some of my best.. I scan the film or transparency and when I'm satisfied with the file and the print I sign the film with a Sharpie. I've been doing the prints a bit on the larger side, and attaching the film to the back of the framed art work and it goes with the sale. I can still make another print if needed with the file but am only doing a smaller version. I have only done three of these so far and I'm hoping to get to maybe three or four of these a year.. assuming I get the right images and still have the guts to continue something that many would likely consider pretty stupid. For me this is justifying keeping this gear and has added a totally different market that I think will make it work for me. It has really changed pretty much everything in how I look at it. jimbo From: DigitalBlackandWhiteThePrint@yahoogroups.com [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] Sent: Friday, March 13, 2015 10:03 PM To: DigitalBlackandWhiteThePrint@yahoogroups.com Subject: Re: [Digital BW] Rolleiflex to be liquidated It's a real shame to see this happen. I was more of a Pentax 6x7 fan, but all medium format cameras are/were great. The longevity problem created by the digital switch is difficult to confront, too. You could buy a Rollei and shoot with it the rest of your life. If things went really bad, you might need to replace it once. The bellows on your view camera might need to be replaced a couple of times. And your enlarger might need realignment and an occasional new bulb. As long as you could get film, your old box that holds film was good to go. Now, your digital camera is obsolete in a couple of years and quits working in just a few more. With analog, when a new film came out, you could buy a roll and get improved images for a couple of dollars. Now, if a new sensor comes out, its of no use to you unless you buy a whole new camera. And certain manufacturers don't have a problem making your lenses obsolete at the same time. (Isn't that right, Sony?!) Though I went 100% digital six years ago, I hate to see this stuff go. David Kachel ___________________ Artist-Photographer Fine B&W Photographs WEBSITE: www.davidkachel.com BLOG: thetransparentphotographer.com EMAIL: david@... PO Box 173 Globe, AZ 85502 (928) 275-0925 [Non-text portions of this message have been removed]
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RE: [Digital BW] Rolleiflex to be liquidated
2015-03-14 by Jim Bechtel
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