Digital BW, The Print

I've been using "Arctic White" for some prints. It is as white as the photo matte. I get it from a camera dealer friend, and don't know who makes it, but I could find out.

Jerry




Steadman Uhlich wrote:

> Simply get a mat board specifier from a major mat board manufacturer.  Crescent has a nice one with small chips on it for all their archival mats.  Order the closest white using the specific model number.  There are many whites and some are so white they will match the LPM.
>
> Alternatively, just take your paper samples to a local professional framer and compare on site.
>
> Steadman
>   ----- Original Message -----
>   From: Todd Flashner
>   To: DigitalBlackandWhiteThePrint@yahoogroups.com
>   Sent: Tuesday, August 21, 2001 11:22 PM
>   Subject: [Digital BW] Legion Photo Matte and framing
>
>   > I received my supply of Legion Photo Matte today from Media Street.
>   > Ran a print and love the smoothness. The color makes EAM look yellow.
>   > The white is very nice, not blue, not lavender.
>
>   I feel that the EAM makes the legion look a tad lavender, but that's just
>   me, and I change my mind about stuff like this routinely.
>
>   However, the phenomenon of how two whites (or any colors for that matter),
>   appear next to each other is interesting, but it has practical relevance
>   too. Those of you who like a paper this white/cool, how do you like to matte
>   such a paper? Can you find matte board that matches it's whiteness, or would
>   you go with a warmer white mat to further enhance the appearance of "bright
>   highlights" in the print. There's obviously no right answer here, I'm just
>   seeing how others might approach this. My preference is generally to use a
>   matte color that matches the paper base color, for continuity. With this
>   paper I worry if I can't find an archival board as bright, the paper will
>   make my matte look yellow, and I don't think I want that.
>
>   Opinions?
>
>   Todd
>
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