Sergio:
Printer: 1280
Continuous Inking System: The Niagra CIS from media street.
Inks: Generations 4 from Media Street for archival color inks, at
http://www.mediastreet.com
OR
MIS Archival Hextone black inks (black & White prints)
from http://www.inksupply.com
Get the MIS VM inkset if you like cool tones, or the FS inks if you like
warm tones. With the VM inks you can print anywhere from very cold tones
to warm tones, by using one of Paul Roark's Curves. The FS inks are
more neutral.
Papers: (Listed in order of the deepest blacks to the least deep black.
1. Any Hahnemuhle paper gives the deepest blacks you can get.
Some of the Best:
Photo Rag 308, Torchon, German Etching, William Turner, Albrecht Durer.
or their rebranded names, available at http://www.mediastreet.com under
their house brand. Any paper with "Royal" in the name is a hahnemuhle paper.
Torchon = Royal Riviera. Royal Plush = William Turner, etc.
2. Epson Archival Matte and Epson Watercolor gives the next deepest
black. Very close to the Hahnemuhle papers.
3. Legion's Photo Matte paper; extremely white, and good blacks, but
quite as good as the first two.
4. Eclipse Satine, Beautiful pure white watercolor paper; you can print
on either side, one side is smooth, one has texture, blacks not as good
as the first 3, but close.
Jerry
SERGI0 BARTELSMAN wrote:
>
> Hi, I'm new at this and would like some advice from you. I want to start printing b&w and color fine art photographic prints.
>
> What dou you think is the best setup (printer, inks, papers, etc.) to achieve this in a not too expensive way (not necessarily the cheapest) but with excellent results.
>
> I dont intend to do a huge volume of printing but I want to replace my wet darkroom and still produce high quality professional prints.
>
> Thank you very much.
>
> Sergio B.
>
> [Non-text portions of this message have been removed]
>
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Re: [Digital BW] advice
2002-04-03 by Jerry Olson
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