--- In DigitalBlackandWhiteThePrint@y..., "Martin Wesley" < mwesley250@e...> wrote: > > Have done LVT tranparency output for commercial work but never > > enlarged one. I was thinking more for platinum contact prints at > > sizes too big for LVTs... > > Some where I heard there was a "grain" to the Duratrans film that > caused problems. Allen at Lincoln Inks is working with Dan Burkholder > to make contact negs using their dye inks on an Oce material that > would fit in a 7000 or maybe even a 9000. The stuff I saw didn't appear to be duratrans, which usually has a white but translucent base. This stuff was a clear film base, the grain was only visible with a loupe and was very small, would only be an issue if enlarging, if then. Making contact negs with Epsons introduces the very part of the process I suspect needs to be eliminated, dither, not contiuous tone. > > > > > Who's Steve Meyer? > > Sounds like he knows you but, > Steve Meyers > X-ray photography using digital negatives from LVT. > http://www.xray-art.com Sorry just joking, Steve is a friend and has helped me a lot. I just wanted his url to show up in several more posts and to give him a little start. Tyler
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Re: Lightjets and varnish, was some guy's workflow
2001-08-23 by Tyler Boley
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