Digital BW, The Print

Interesting observations, Mike! I also noticed the Museo prints were 
more olive than Sommerset PE from the get go. All prints look more 
neutral, after viewing them outside in the daylight. Problem is, they 
will be mostly viewed indoors! Maybe I need to shop for different 
papers. Haven't tried Willie Turner yet.  Anybody have a good source? 
or other good paper recommendations?

Bruce McElhaney
McElhaney Photography Studio
Livonia,MI

--- In DigitalBlackandWhiteThePrint@y..., "mkravit" <mjkaia@k...> 
wrote:
> After reading this stuff about green cast w/ MIS FS inks I made a 
> print on Museo and a print on H. Willie Turner. I them compared 
> them under tungsten light, fluorescent light, and daylight.
> 
> Here are my impressions....
> 
> 1. Museo has a greenish cast when compared to Willie Turner 
> even before printing.
> 
> 2. After both prints has an hour or two to dry, the Museo in fact 
> had an olive cast to it when compared to Willie Turner. I could 
> definitely notice the cast in all three lighting situations.
> 
> 3. Willie Turner has a slight olive cast under cool white 
> fluorescent light, but not in daylight or under tungsten lighting.
> 
> 4. When compared to prints that were a few months old,  the 
> freshly printeed museo print was olive but the aged Museo print 
> was not.
> 
> Perhaps we are seeing an inherent curing or aging process. I 
> am not worried about an olive cast as long as it disappears 
> withing a few days.
> 
> Mike