Martin wrote: >Could you simply stay in RGB and desaturate the image before printing? That might work fine -- desaturate and then apply the appropriate adjustment curve. I guess as a practical matter, total desaturation simply turns the image into a grayscale. I wonder if there is any difference between that and conversion to grayscale mode and then back to RGB? With an image with, I assume, little color information in it anyway, I'm not sure there is much difference between the various methods to turn the image into a monochrome. Paul http://www.PaulRoark.com --- In DigitalBlackandWhiteThePrint@y..., "Paul Roark" <paul.roark@v...> wrote: > Jerry wrote: > > >It doesn't matter WHEN you convert to rgb, > >the file just has to in that format when you print it. > >You don't have to convert it first to grayscale! > > Jerry, I think this could be a problem in this context. As I understand it > the originals are old photos. They often have some color, including > yellowing, stains, etc. As such, that color might affect the variable-tone > allocation of inks, resulting in some weird tones or color casts. > > The recommendation to scan in RGB, even if the ultimate product is a B&W, is > often to get as much bit-depth as possible. This recommendation was > commonly made some time ago when most scanners only had 8-bit B&W. With > higher-bit grayscale scanners, I think most would now recommend scanning in > high bit g/s if the original is strictly a B&W. > > However, there may be another reason to scan in RGB for old photos. The > color information can help in eliminating the stains. > > In any case, I think you should go through a g/s stage to be sure you are > not carrying color information over to the final printing RGB. > > Paul > http://www.PaulRoark.com
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Re: [Digital BW] Question Regarding MIS VT-Ink/Roark Workflow
2001-08-24 by Paul Roark
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