I think that at the scan stage of digital you can get more >information off the negative than you can by enlarging. Sure looks that way: it's not so much any gain in resolution, it's the scanner's ability to map the negative's entire tonal range exactly onto a gamut from paper white to flat black. That right there is almost impossible in the darkroom. And then the opportunity to go in and tone down a single distracting highlight, or lighten up one side of a face, etc., etc., _really_ gets interesting! >I would like to see what you are doing. As the description of the >groups says it is about ALL methods for getting a B&W print from a >digital file. I will e-mail my address you off list. If you want to >send me a copy of your file, I can print it out for you on my 1200 >Piezo system for comparison. I'll be happy to send a print; I have your address from your other message. No need to print out anything for me: I've decided there are so many variables in this undertaking that it may be physically impossible for anyone to absolutely duplicate anyone else's results. This is as it should be: no two painters or violinists or dancers give exactly the same interpretation, so why should we, especially when we are each "performing" our own compositions! >One last thing I have failed to mention in spite of all the time I >put into it. If you want an air-dried silver look from you inkjet >prints you can achieve it by varnishing the prints. It takes practice >but the results are very amazing. I overheard some of the discussions about that on the Piezo list (before I unsubscribed recently for lack of time). I used to be resigned to the fact that I couldn't duplicate the air-dried glossy look using inkjet; now I think I welcome it. A door has opened just a crack and I'm seeing quite extraordinary possibilities for interpreting my negatives; there will be steps backward, no doubt, but lots more forward. Nevertheless, the varnishing idea is certainly intriguing; I would love to see results in the "flesh" some day. Best, -- Nick NICHOLAS HARTMANN +1 (414) 271-4890 611 N. Broadway, Suite 509 fax: +1 (414) 271-4892 Milwaukee, WI 53202, USA polyglot@... Technical and scientific translator: German and French -> English
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Re: [Digital BW] More quadtone experiences -- Black ink
2001-08-24 by Nicholas Hartmann
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