> i'm thinking about getting into digital B&W printing, and i can't > seem to find any serious comparisons of print quality between > traditonal wet darkrooms and the digital alternative. I'm aware of > all the benefits that computer photo editing offers, but is the final > print truly compareable in terms of contrast, sharpness, grain, > shadow detait, etc.? any thoughts anyone? > > thanks, > > torrey Hi Torrey, As far as image quality (not print quality), digital wins hands down for two reasons. One is the ability to get the entire tonal range on the film on the print...where with chemical darkroom, you end up sacrificing one end or the other without a lot of work. The other is the ability digital has to adjust tonal curves...with ease. Chemical darkroom has no equivalent, really, well, kind of sort of but not really. As far as I am concerned, digital has better tonality as well as equal, if not better, image detail. I have compared 24 x 24 chemical prints (I'm talking B&W here, not color) with my digital prints of the same negative...and I must say, the digital prints show detail that the chemical prints don't. I used Schneider Componon-S lenses and Oriental papers...and Dektol developer...so I was certainly printing on the high end of the chemical printing scale. Digital printing is also far far more repeatable. If you make one print, you can make 100 that are pretty much exactly the same. The only downside is that chemical prints have a darker black (higher dMax) than digital prints. If you compare them side by side, that will show. If you were to simply go from one room to another, with identical prints on the wall of each room, one chemical, one digital, you would hardly notice the "dark" difference. I gave up my chemical darkroom to go to a scanner/digital printing method, and I have not regretted it one bit. No more messy chemicals and clean-up for prints! Certainly for film processing, I still do it...but it's a lot less messy than printing. Regards, Austin
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RE: [Digital BW] print quality: digital vs. wet darkroom
2002-06-05 by Austin Franklin
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