Apparently, there are a lot of perfectly succesful, talented photographers out there who don't get what bw printing is all about. I just listened in on a presentation by Jeff Shewe who showcased the 2200 and lots of prints of his work, bw among others. They weren't bad, but if that was the only option available, I would keep my darkroom. They don't hold a candle to what we are talking about here. The only thing going for the 2200 is that it offers a one-printer solution that does an adequate job of printing the occasional monochrome portfolio print. Very helpful to the photographer who doesn't want to get into the esoterica of piezo printing and that second, third and fourth printer - depending on the desired hue! Color may be another matter, though. Antonis > > Mitch Alland wrote: > > > > > > After reading Reichmann's conclusion that B&W on the 2200 was so good > right out of the box that he was retiring his Piezography system, I had a > nagging memory that he had said something similar about the 1280. Actually, > it was the 1270.
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Re:Luminous Landscape 2200 Review
2002-07-30 by antonisphoto
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