I read several of the replies and they are all correct but I don't believe they addressed the exact intent of the question. The replies all focused on using curves and channels to mimic the effects of putting different filters on the camera. Unless I missed it, though, no one has addressed the issue that B&W film is not neutral in its response to the color spectrum. Its pretty good compared with decades ago. But my understanding is that it is still not truly panchromatic. In other words the film responds slightly differently to red, green, blue wavelengths of light. And each manufacturer creates films with slightly different response characteristics. So desaturating in Photoshop yields an image which is different than what would be obtained by B&W film. Using the channel mixer allows one to simulate the response of B&W film to different wavelengths of light. Then there's the whole issue of film grain. And even that has a Photoshop plug-in available. Mike --- In DigitalBlackandWhiteThePrint@y..., "millerhillsteve" <steverob@s...> wrote: > I currently am using PS Elements as I can't afford Photoshop and frankly, my > prints are pretty damn good, but I've seen references to using the channel > mixer instead of simply switching the mode to greyscale. What are the > differences in desaturating an image when switching to greyscale? > > Steve
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Re: Converting to B&W Workflow question
2002-07-30 by michaeladawson_ajax
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