on 8/1/02 12:31 PM, Doug I. wrote: > Steve, > Channel Mixer really can make a difference. What convinced me was recording > a Photoshop Action to automatically create a grayscale snapshot that's 100% > red channel, then 100% green, then 100% blue. You can then easily flip > between the 3 snapshots and clearly see how the results differ by channel > (and therefore which channels to emphasize or de-emphasize in the final > conversion). Obviously the results will be different in digital, but in 35mm > it can make a dramatic difference in grain structure, skin tones, etc. > Doug Doug, You might want to try taking your action one step further. I got this from Jeff Schewe... Make each channel a layer, this allows you to adjust the opacity of each channel/layer, plus apply layer blend modes too. For instance, and this is arbitrary, you could put the red channel above the green, set it's blend mode to multiply, and it's opacity to 60%, the green channel could be set to screen at 30%, etc...) He finds it more intuitive, and powerful, than channel mixer. Todd
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Re: [Digital BW] Re: Converting to B&W Workflow question
2002-08-01 by Todd Flashner
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