The test printer is a Epson C80 using their standard drivers and their black ink which is Durabrite and supposedly archival to 80+ years. I bought the Hahnemule sampler pack from inkjetmall.com and tested everything but the Cone Photo Gloss and the Tunbridge papers. So here are my personal ratings on a scale of 1-5 and remember that this isn't scientific at all but purely/mostly/somewhat subjective. This isn't piezography results but I am praying that I can get rid of any corduroy banding which exists when I get my Epson 1280 next month. Right now it's going to be Epson inks at present. All settings were at Archive Matte or Heavyweight Matte (for Photo Rags) setting since I don't have the Epson C80 Cone ICC profiling software... 1) EAM- ***1/2 out of 5. Very white and a lot of people think that this is the strong point. I think that the prints come out neutral but that's why the Epson prints are very unexciting. There is no "depth" or "emotional" aspect to the paper. But it's cheap and unfortunately still acidic because it's not cotton rag. Prints come out well with lots of sharp detail but the blacks aren't all that strong especially in Zone II-III areas. I accidentally printed at high speed (without realizing it) and corduroy banding was somewhat evident. 2) Wells River- ****1/2 out of 5. Very controversial stuff. Prints the blackest blacks using Epson inks and that's darker than most of the paper I've used. Flakes easily when handled quite a bit. (I tested it by rubbing it back and forth in the plastic sleeve). No trace of corduroy banding at all. I like the tonality better and suspect that the piezography will blow the mind away. This paper is best for sticking under glass immediately after printing but as a general use paper for proofing, not worth the expense :D... 3) Photo Rag Duo- ****1/2 out of 5. I tested this paper in the wrong manner by accidentally setting it on High Speed so corduroy banding was evident in the dark areas. But it prints beautifully and the gradations of greyscale across the zones are stunning even with Epson inks. There is a depth existing where the EAM prints don't shine in respect to it. Prints very well on both sides and works best for bookmaking ;) 4) Photo Rag 308- ***** out of 5. Stunning paper. Corduroy banding less evident and unnoticeable which is rather strange but I think the feeding mechanism of the C80 takes this paper in very nicely. Stunning range of grayscale and it prints beautifully. Unfortunately I tested this also on High Speed without noticing that but the print wasn't too bad. Should retest without that setting on. 5) Orwell- **1/2 out of 5. Corduroy banding most evident on it which is strange because the Photo Rag 308 as a heavy paper didn't have that problem. The tonalities are decent and the blacks are muted slightly relative to the other papers. I didn't care much for the stuff and it looks alright from a distance but the banding problem exists most evidently in the dark areas and so I couldn't rate this paper very highly. 6) Chelsea- *** out of 5. Decent paper and the corduroy banding wasn't evident like in the Wells River paper. The look is similar to that of the Orwell paper except that the texture is slightly rougher, in fact, it was the roughest looking of the bunch. Blacks are muted but certainly the Zone IX and above are very well rendered. The light areas seem to work out a lot of good highlights here. 7) Hahnemule Photo Matte- ** out of 5. Dull paper and worse than the EAM stuff. Relatively more expensive and certainly I agree with a lot of people who argue whether this is any better than the regular Ultima paper out there. Everything was muted using Epson inks and it was certainly very dull looking. I think that the tonal range is very limited here. Perhaps I can get better subjective testing using Cone's drivers for the Epson C80 but I plan to upgrade to the Epson 1280 next month so the printer system will be replaced entirely. I'm totally stoked about getting it ready for use :D Thanks, AW
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Conclusion of subjective testing of fine art papers using Epson Ink and Drivers.
2002-09-19 by Albert Wang
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