Benoît, That is good news on the LightJet prints. I would really like to get a look at one. Anyone like to contribute 31 to the print exchange? Martin --- In DigitalBlackandWhiteThePrint@y..., Benoit Malphettes <Benoit@s...> wrote: > To update my post of 09- 07 re: partly switching to digital: > <We did a test with a B&W neg outputted to a LighJet and were disappointed, > no deep black and overall an RC print feel to it.> > Realizing they did this print blind I gave them a fiberbase print of the > same neg to attempt to match (btw, I picked on purpose a very difficult > negative http://www.studiocharis.com/PagesHTML/Black&WhiteHTML/09_6197.html > <http://www.studiocharis.com/PagesHTML/Black&WhiteHTML/09_6197.html> ) . And > the great news (to me) is that A&I was able to match that print with > stunning accuracy. Blacks are very deep and the tonal range simply > remarkable. This would finally allow me the freedom to offer unlimited > retouching for my B&W portrait clients and still retain the quality I want, > even in very large prints. > I should get my 7000 quad inks test print done in two weeks. > This photographer's life is getting interesting all over again/ > > Benoît > http://studiocharis.com > > Ps Martin thanks for the your kind words on the website...
Message
Re: Attention Studio Portrait Photographers - Update
2001-09-09 by Martin Wesley
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