I'd like to experiment with the curve you mentioned, but I couldn't find it at the Outback site. Could you direct me to it? Thanks. Chris Hargens --- In DigitalBlackandWhiteThePrint@y..., "A. Huntley" <prasepe@a...> wrote: > Don't know if this message made it to the group because I received something back from Yahoo indicating that it bounced...so...I'm trying again... > > I know this hasn't been discussed lately but, recently, I picked up a box of 8.5x11 EAM from my local CompUSA (batch 02CC2004M) for experimenting with some B&W conversions of color images. Immediately upon pulling the first print off the printer I noticed that it looked slightly different from what I was used to seeing. Remembering the discussions on this forum about "yellowish" EAM with newer lot numbers, I pulled out my trusty supply of "old" A3 EAM and compared the two. The newer paper was visibly more yellow than the old! > > Feeling the desperation begin to set in--what will I print on when my A3 (my primary size) runs out?--I began experimenting with Photo Rag; my favorite paper when I used Piezo inks. I selected a grayscale image that I was very familiar with and began printing it using Paul's neutral-cool and warm-neutral curves along with gamma adjustments, and toner variation via the yellow slider. I should mention that all my quads are produced on an 1160 with MIS VM inkset, and Paul's curves for this printer. My goal was to match, as closely as possible, the same image previously printed with the Piezo driver and PiezoTone ST inks. Figuring that the ST inks had warmed some I knew that an exact match certainly wouldn't be possible. But, I was just looking for something close...and I think I found a possible solution. Using the warm-neutral curve with the yellow slider set on 0 (that is, no change) and applying a +1 contrast adjustment curve that I downloaded from outbackphoto.com, I was able to produce just about the most stunning print of this particular image, to date. And, though the tonality was not exactly the same as the Piezo print (naturally) the overall and local contrast was just about a dead match. The VM print...somehow...look brighter, though! I was very excited, and plan to experiment with this technique further using other images. > > Just thought I'd let the group know the ramblings of yet another quad printer pushing for something "a little different" and a "little better!" > > Happy printing, > Alan > > [Non-text portions of this message have been removed]
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Re: Yellow EAM (Outback curve)
2002-11-01 by Chris Hargens
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