Digital BW, The Print

I'm using John Woolf's absurdly simple workflow, with a slightly modified S-curve to match the Concorde Rag image with my monitor image, on the Epson 1280. The match is nearly exact on Concorde rag, and virtually identical on Photo Rag -- but you'll almost certainly have to experiment because of monitor differences. One slight and probably pointless departure from Woolf: Instead of applying the curve to an adjustment layer, I duplicate the image and convert to 16-bit before applying the curve. The Woolf workflow and curve can be downloaded from about the middle of this page from the MI site: http://www.inksupply.com/index.cfm?source=html/workflow.html


--- In DigitalBlackandWhiteThePrint@y..., "Tim Atherton" <tim@k...> wrote:
> 
> >
> > This combo is giving me beautiful, highly accurate results, with
> > very deep, rich blacks, but before switching fully from Concorde
> > Rag I'd like to know if I can expect thee results to last. Does
> > anyone out there have long enough experience with this
> > combination to comment on its longevity?
> 
> 
> As I'm sat here waiting for my FS Neutral inks, which workflow are you
> using?
> 
> thanks
> 
> tim