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Digital BW, The Print

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Re: [Digital BW] Scanning and Zone Sys Development.

2003-01-08 by Truman Prevatt

I think there is more latitude with scanning and printing digitally than 
with printing to paper. But I don't know how much. I have two images 
that seem to be blocked in the highlights no matter how I scan or 
manipulate in S/W. They were slightly over developed for the exposure. I 
either didn't read my meter correctly or didn't take enough readings 
when I took the shot. It could have been a different batch of film, I 
could have read the thermometer wrong.  I just don't know what happened. 
It's a nice image and I thought I might be able to save it by scanning 
and processing but no luck. These images are not badly blocked but I 
couldn't do any better in S/W than I could in the wet darkroom with them.

Truman

Kevin Gulstene wrote:

>Truman,
>
>Also it is going to depend a lot on the film/developer you are using.
>
>Using pg 247 of "the negative" the N curve is steeper than the N-1 
>curve, as you would expect, but the density difference at zone 12 is 
>about 0.4 (2.1 vs 1.7).  I am fairly sure that you wouldn't notice any 
>difference between the scan of a film with a denisty range of 2 and the 
>scan of a film with the density range of 1.7.  After applying the set 
>points I don't think there would be much difference.
>
>Compensating 4 stops may produce enough density difference to be seen 
>in the scan.  That is much more extreme case than I have any experience 
>with.
>
>On Tuesday, January 7, 2003, at 07:14 PM, Truman Prevatt wrote:
>
>  
>
>>This assumes that the highlights don't saturate the film - hence losing
>>detail. I think you have a bit more latitude with a scanner when it
>>comes to development, but not a lot more. If the highlights are
>>saturated - they are gone forever.
>>
>>Truman
>>
>>Kevin Gulstene wrote:
>>
>>    
>>
>>>Hi Ken,
>>>
>>>Let's take your high contrast scene.  Lets assume that 14 stops of
>>>scene brightness are mapped to a a film density range of .05 to 1.8
>>>with the zone system compensations.  When you scan that piece of film
>>>and apply the set points you will then map a density of .05 to  100%k
>>>and the density of 1.8 to 0%k.
>>>
>>>Take an identical exposure of the same scene with anther piece of 
>>>film.
>>> This film has no development compensation.  The 14 stops of scene
>>>brightness are then mapped to a density range of .06 to 2.3.  When you
>>>scan that piece of film and apply the set points you will map the
>>>density of of .06 to 100%k and a density of 2.3 to 0%k.
>>>
>>>It seems to me that as long as the maximum film density is within the
>>>specs of your scanner it doesn't matter whether you used N or N-4
>>>development.  You have to make the scene brightness fit between black
>>>and white one way or another.  You can do it with development or math
>>>in the scanner.  The result, it seems to me is the same.
>>>
>>>Clearly you have to set a film speed appropriately to capture the
>>>shadow details but I am not convinced that modifying the film
>>>development is required to capture the highlights when you are 
>>>scanning
>>>a negative.
>>>
>>>That is what I am trying to come to grips with.
>>>
>>>Thanks for your help
>>>
>>>On Tuesday, January 7, 2003, at 06:23 PM, Ken Carney wrote:
>>>
>>>
>>>
>>>      
>>>
>>>>>From my perspective, the point of the zone system is to get a
>>>>>negative with
>>>>>
>>>>>
>>>>>          
>>>>>
>>>>reasonable shadow and highlight tones.  If you have a negative with a
>>>>blown-out highlight, I don't think any scanner will help you.  For
>>>>example,
>>>>take a high contrast scene that may take N-4 development (here 
>>>>reduced
>>>>film
>>>>speed and compensating development in dilute HC110 or TMax RS).  I
>>>>have many
>>>>negs like this that scan well, but I can't picture how I could get a
>>>>good
>>>>tonal range with say, normal development.  In fact, the only problems
>>>>I have
>>>>had in scanning LF negs with expanded and compressed development have
>>>>been
>>>>those developed in pyro (Rollo or PMK), since the stain produces some
>>>>challenges in getting a good scan.  I would say go for the best neg 
>>>>you
>>>>would use for a silver print.
>>>>
>>>>Regards,
>>>>
>>>> --Ken Carney
>>>>   www.kencarney.com
>>>>
>>>>
>>>>----- Original Message -----
>>>>From: "Kevin Gulstene" <kevin@...>
>>>>To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
>>>>Sent: Tuesday, January 07, 2003 5:53 PM
>>>>Subject: [Digital BW] Scanning and Zone Sys Development.
>>>>
>>>>
>>>>
>>>>
>>>>        
>>>>
>>>>>Is zone system development time manipulation irrelevant when 
>>>>>scanning
>>>>>film as opposed to traditional printing?   That is the question I
>>>>>would
>>>>>like some help with.
>>>>>
>>>>>My understanding is that the zone system is way of ensuring a
>>>>>constant
>>>>>density range on the negative independent of the brightness range of
>>>>>the scene.  This is desirable because it makes most scenes printable
>>>>>on
>>>>>a grade 2 paper (leaving the other grades available for artistic
>>>>>interpretation) and it helps minimize the stuffing around in the
>>>>>darkroom required to get a good print.
>>>>>
>>>>>Since I am not doing wet prints but am scanning the negatives, it
>>>>>seems
>>>>>to me that the N- or N+ development dependent on the scene 
>>>>>brightness
>>>>>range is, mostly, irrelevant.  By setting the black point, setting 
>>>>>the
>>>>>white point and scanning the negative am I not mapping the entire
>>>>>density range of the image to a numerical range of 0-256 or 0-64k?
>>>>>This mapping would take place independent of the absolute density 
>>>>>any
>>>>>particular zone.
>>>>>
>>>>>As a hypothetical example lets assume a scene contains a 8 stop 
>>>>>range
>>>>>of brightness.  Three images are similarly exposed to capture that
>>>>>brightnesses range. The three images are given different development
>>>>>times and produce density ranges of  (1.0-0.3=.7), (1.4-0.4=1.0) and
>>>>>(2.0-.5=1.5).  When the images are scanned each one will produce a
>>>>>full
>>>>>histogram from 0 to 255 and a scene brightness at the 6th of the 
>>>>>eight
>>>>>stops will show up at the same place in each of the histograms.
>>>>>
>>>>>Soooo, can't I simplify the zone mantra to "expose for the shadows 
>>>>>and
>>>>>let the highlights fall where they may with normal development".
>>>>>Also,
>>>>> wouldn't it be better to generally use N+1 development times so 
>>>>>that
>>>>>the numbers from the raw scan occupied more of the scanner's range?
>>>>>
>>>>>Thanks for your help
>>>>>
>>>>>
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>
>
>Please visit the Group Homepage to check the Files, Bookmarks, Polls and other resources as they are often being updated. The page is at:
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