You also do not always have to prep the surface. I do some printing with an Encad Croma 24 using Ilford archival dye inks straight onto Arches watercolour paper. Colour saturation drops markedly, because the ink is drawn down into the fibres. I am assuming this is because we are seeing the ink through a layer of cellulose, so effectively white is being added to the colour. However for certain types of prints it works great. The other advantage of uncoated is that you will get a higher dot gain, the ink will spread as it soaks in. So these low res prints (the croma is 300dpi) don't show individual dots, because they blend together. As I said, not for all images but quite suitable for some. Cheers, Wayne -- Wayne J. Cosshall Director, International Digital Art Awards, www.internationaldigitalart.com Director, Digital ImageMaker International, www.dimagemaker.com Personal art website www.artinyourface.com 26 Kathleen Street Preston East VIC 3072 Australia wayne@... Phone (03) 9470 3786 Fax (03) 9470 4384
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Re: Prepping a surface for inkjet
2003-01-18 by Wayne J. Cosshall
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