I did two experimental prints on artist's linen coated with a single application of Liquitex Acrylic Gesso (for paintings I usually use 3 coats) -one color and one black and white. The inititial results are encouraging wrt to color accuracy, speading, density, etc, using the same settings I use for Epson Archival/Enhanced Matte. If anything the B+W print looked better than the paper one for neutrality and metamerism, probably because the linen imparts a warmish tone to it which is not totally obsucred by the single coat of gesso, and that swamps the subtle color shifts that show up readily on the Epson paper. Still, I don't know how archival this is or whether I'm damaging my print head doing this! More to the point, while I appreciate the suggestions people have made about coating products, I still haven't heard anything about the physical and chemical properties of the inks and papers/coatings and how they interact. I'm surprised about this considering it IS the medium we've chosen to work in! Is there any forum where people are knowledgable about and discuss stuff like that?
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Re: Prepping a surface for inkjet
2003-01-20 by plnelson2003 <peter@studio-nelson.com>
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