Ed Mathews wrote: > Peter wrote: >> The curve adjustments go way beyond the sort of control you have >> with ThumbsPlus. Without these controls -- and the many others >> built into a capable image editing program -- you are missing out! > > Can you give me an example of what other types of controls you mean? > I find that almost every time I mention TP people assume it's a wimpy > program that is only good for tracking and sorting files when it's > really a pretty decent editing program. Maybe if I knew what I was > missing.......... Ahh... where to start? Photoshop is an enormously deep and capable program. I suggest you look a book (my favourite is "Real World Photoshop" by Blatner and Fraser). Or (just on curves) take a look at http://www.gurusnetwork.com/tutorials/photoshop/curves1.html >> Would you like to send me a file -- I can print a small MIS-VM >> sample and post it to you? > > Actually, I'd like it very much if I could hold something in my hands > and see it under different lights. I initially signed up for the > print exchange, not realizing that it required me to offer something > I've printed to the group, which of course, is not worth sharing at > this point. So, if anyone out there has any trash prints or even > pieces of damaged prints they could send my way - I'd much > appreciate it. My mailing address is: > > Ed Mathews > 1901 Coachman Court > Fallston, MD 21047 OK, I'll send you something (but not this week). > My situation is this: I have a lot of experience with film and B&W > chemical darkroom, and had my own darkroom in my house for years. > I've been told by many that my B&W prints are very good. However, > I'm moving and between houses right now until about May 2003. So in > this period of time until my house is finished I'm trying to > determine which way to go with my B&W printing when I get to the new > house. Should I set up a darkroom and continue to shoot film? I'd > rather not, since I've been using a D100 for weddings and model work > and see it's capabilities for color. But if the investment of what > I would need to do decent digital B&W would be too costly, or if I'm > not satisfied with the results I could get, then I would almost > certainly need to continue shooting film just for the B&W material. > So I'd like to see and learn as much as I can in the next 3 months > before I move again to help me determine if I'll need to build a > darkroom as soon as I move in. I'd say you should sell off your darkroom gear as soon as you can, while you can still find someone interested in buying it.... Peter Marquis-Kyle
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Re: [Digital BW] Re: MIS Inks and workflow
2003-01-29 by Peter Marquis-Kyle
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