I found Jerome's comments on prints and art quite lucid( his web site is a delight as well), and this group seems to be reaching a consensus that there is good art and bad art, and quite a bit of time passes before the community of art critics and art lovers (some being the same people) finally agree on what is good art. For us, it seems that we like the thought that the image is the thing, and process should be secondary to the decision of what is good art. But as soon as we try to place a value on a particular piece of art, all the other factors that have been mentioned kick in. If it is hard to produce, we value it higher. Or if rare, or if only one can be produced, or if the artist is notorious for something, if it breaks new ground, or if very rich people or celebrities like it, or if the artist died poor and romantically, and on and on. And all this stuff determines what you can sell it for. And maybe others will make a lot more money than you after you're dead. Cruel world no doubt. So what do we do? Make the best , most unique and true to you art that you can as often as you can. Pay some necessary attention to promotion if you need to make a living, or need the recognition of the world to feed your spirit. Huddle with the other like spirits for warmth, and talk to this wonderful list. Evangelos Platon Dounoucos, aka Angelo D. [Non-text portions of this message have been removed]
Message
Re: [Digital BW] Digest Number 1392, Jerome Hawkins on Digital prints
2003-03-14 by adounoucos@aol.com
Attachments
- No local attachments were found for this message.