What you folks want is Dan Burkholder's book "Making Digital Negatives for B&W printing" from www.danburkholder.com His techniques are very well explained, work very well, are inexpensive and produce beautiful prints. I should know - I've been using them for years. All of the work in my book "Celestial Nights"(Aperture) was printed in this way. Neil Folberg www.neilfolberg.com \ --- In DigitalBlackandWhiteThePrint@yahoogroups.com, Kevin Gulstene <kevin@d...> wrote: > Peter- > > > So I looked at that and I notice it basically consists of > > adjusting your digital image in Photoshop and then taking it > > to a service bureau and having them make a HALFTONE negative > > of it to print! > > > > Why a halftone image? If you think the "dotting" in a > > black-only print is bad, wait till you see what an (even > > good) halftone looks like! Why not just have the service > > bureau use a film-recorder to make a continuous-tone > > negative? > > > If I am not mistaken this is same process that LenWork uses when > producing some of their "LensWork Special Editions". They scan a > original print and then produce a negative on an image setter. This > negative is then printed in the traditional fashion in a darkroom. > > I bought several to see how good they were. You cannot see the > halftone dot with a 3.5x loupe. You can make them out with a 10x loupe. > > -- > Kevin
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[Digital BW] Re: Digital Black and White Negs
2003-03-24 by neilhfolberg
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