On 5/1/03 10:02 AM, "Alan Zinn" <AZinn@...> wrote: > Many people are aware of > specific instances of falsity in magazine photos. There was a neat segment > on PhotoShopped images last night - 48hrs, CBS. > > I'd love to see a useful, short statement that addresses print v. original > film image honesty. Something like: "Un-altered camera image." I understand that changing image composition in Photoshop is a major problem if your are a photojournalist...but if you are an artist...what difference could that possibly make? Art is about the final image and message that it conveys and it seems to me irrelevant how you created that image. Many of my favorite "old" photographs by Man Ray were created with multiple exposures in the darkroom. How is this different from merging images in Photoshop? Perhaps this attitude is a holdover from photography as documentation, which I don't do...but I really resent the idea that someone who is masterful in Photoshop at composing an image is any less of an authentic artist than someone who manages to capture the image on a single negative...this just seems unnecessarily elitist and hopelessly conservative to me...but I was trained as an artist, not a photographer. If you are a photojournalist, forgive my diatribe...I think we all want to know that the news that we see and hear was true to what happened...but for art...at least I want to know that the art was true to what was imagined. Robert
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Un-altered camera image was Re: [Digital BW] OT: What to call the prints...
2003-05-01 by Robert Morrison
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