> I didn't mean to suggest that a photojournalist couldn't be an artist. > Rather the function of photojournalism puts an additional constraint on > their output...requiring image fidelity...a requirement that doesn't seem to > be a necessary constraint for other art forms...which seem to be to be about > the artist's message and their ability to communicate that message. > > > Robert If I may add my two-cents worth: IMO not only is 'camera image fidelity' not relevant if you are offering your work as art, one could argue that it is actualy detrimental in terms of our acceptance among other artists, dealers, and the public. I once had an interesting exchange with a painter who opened my eyes to this attitude. I asked if she thought it appropriate that photography was still struggling for recognition and value as an art form; her answer was, in short, yes; because for the most part photographers don't 'create' their images, they walk around until they find something interesting, and then record it. So to the extent that we insist on 'camera image fidelity' we are doing ourselves a disservice-the faster we can achieve a disconnect between reality and our finished art, the better of we are. The more imagination and creativity we excercise along the way, the better of we are. From that point of view digital imaging is the best thing that could have happened to us. Perhaps soon the viewers will stop asking things like 'Where was that' and 'Is that for real?' and simply consider an image on its own merits. Of course, accepting this viewpoint depends to a great extent on having the sheer gall to call yourself an artist. I've noticed that most photographers are quite uncomfortable with that, they seem to feel it's pretentious and egotistical. But that's a whole 'nother discussion, yes? Steve Karafyllakis
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Un-altered camera image was Re: [Digital BW] OT: What to call the prints...
2003-05-01 by Steven Karafyllakis
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