Paul, the TMX in Microdol 1:3 is an excellent call. I shy away from it because of the longer development times and the slightly sharper grain at the loss of finer grain when comparing D76 1:1 to Microdol-X 1:3. But I have seen excellent results with your combination and I forgot to mention that. The contrast should be flatter in Microdol also, which may make scanning even easier. Perhaps Xtol will work better with the "new" TMX100. I thought it one of the worst developers with the original TMX, giving mushy grain and a decidedly soft look. I'm glad to hear Kodak has discontinued recommending Xtol at dilutions great then 1:1. If you go back over past posts in rec.photo.darkroom, you will consistently find people who have occasional inconsistent and poor results with Xtol, even experienced darkroom workers. I sometimes think it to be "The VooDoo Developer From Hell". Rick >I really believe in KISS (Keep It Simple Stupid). Tech Pan is an >phenomenal film, but slow, fussy & very contrasty quite quickly. Next best >thing, and grainless in an 8x10 print, is TMX100 developed in D76 1:1. ... There is a lot of merit in this recommendation. I rejected TP and used Tmax 100 for years in a relatively traditional developer (in Microdol 1:3) -- very consistent and reliable. I may end up taking this same approach again. But the seductive siren song of ultra-fine grain keeps luring me onto the rocks. Paul http://www.PaulRoark.com
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re: ISO 100 B&W films for scanning
2003-08-18 by Rick Schiller
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