BRAVO! Date: Tue, 19 Aug 2003 17:02:54 -0400 From: Jack M Kucy <jmk@...> Subject: Re: Re: digital silverprints - am I missing something... Hi Group, In 1981 I had my first art exhibition of my images. They were of course silver emulsion, fiber based prints printed to archival (?!) specifications. Since then I had a few shows, to which I printed myself the wet-darkroom prints. I loved them - but even though I was and I still am pretty good in chemical printing I never liked being locked up for several hours in the darkroom. Smell of chemicals made me sick.... So, now we can print (I use 1280 and MIS UT CIS) BW prints which with the small limitation to the matte paper are (let's not be afraid of this) BETTER or at least NOT WORSE than chemical prints and I constantly hear the people nostalgically expressing desire to go BACKWARDS. Where is the catch? With the evolution of digital technology SOON (I am sure of it) we will print archival BW prints on thick glossy or semi glossy fiber paper. Why getting back to the wet darkroom. ANOTHER QUESTION: How many of you, who print themselves, or give it to the lab are 100% certain that your (or lab's) prints are in fact archival and will last unchanged for 100 years? I would be very reluctant to acknowledge that about my own prints EVEN THOUGH I WAS ANAL about all the washing, removing traces of the fixer, washing, using only archival (again) mats and so. So, what part of the concept am I missing? Thanks, Jack _________________________________________________ Jack M Kucy JMK Gallery (www.jmk-gallery.com) 917-991-2096 jmk@... Member of ASMP (www.asmp.org) _________________________________________________ ...a riveder le stelle [Non-text portions of this message have been removed]
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Re: digital silverprints - am I missing something...
2003-08-20 by Boris Wiedenfeld
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