Bill, I am using a Mac and a PC. All of my printing I am transfering to the MAC because of the better results that I am getting. I find that for color on my 2200 the results are great using the standard Epson profiles on Epson Paper. I am transfering my pofiling system to the Mac, but it's hard to see how I can get any better! For B/W I am using Carl's curves and they seem to give me anything from a very warm print to a very cool print. The neutral is just that, neutral. I have a tough time to see any visable difference between the HPR and the EEM. I guess one might last a bit longer. The HPR is available in a thicker paper, but that doesn't seem all that necessary when the prints are matted. Quadtone RIP for the Mac is very tough to beat at the price. Once again I thank all of those who's work has made it possible. I for one would be happy to pay for it! Barry (Sierra Gold) --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Bill Strong" <billstrong50@y...> wrote: > Hi, ?Sierra > > I would not say the results are better, just different in a way that I > like. The warm Ultra-Tone curve is much warmer than what I can get using > the tone adjustmant feature in IP. I think tonal transitions are at > least as good with Roark's curves. I actually print B&W using both > machines depending on the subject. As far as I am concerned, Image Print > is the only practical affordable way to go for accurate color on a 2200. > Are you using Quadtone RIP on the Mac with the 2200? > > Indeed I have seen Jon Cone's latest xenon lamp longevity figures and I > agree that for practical purposes it is splitting hairs; however, I hope > one day to be able to display/sell prints in a place like The Gallery > For Fine Photography on Royal Street in New Orleans and I think I need > every possible advantage to convince the gallery that my prints are > worthy. (I realize this is an impossible dream but it gives me something > to strive for.) > > Thank you for the compliment about my site. I have been selling prints > for about 8 months at Bay Crafts in Bay St Louis, Mississippi and in a > gallery here in Hattiesburg. I have sold only three on the internet; > however, many people are familiar with Phototour and they ask me about > prints and I send them to one of the galleries. The image quality of my > print sales internet pages is poor. I am working to correct that. I am > embarrassed to show it after seeing the sites of some of the members > here. > > Regards, > Bill > > ___________________________________________________________________ > Bill, > I am very surprised that you say the 1160 gives you better prints > than the 2200/ Imageprint combo. I have a 1160 and a 2200 with the > quadtone RIP_ and there is no doubt that the 2200 B/W prints are > better using the 2200! > If you look at teh peizography3000 group you will see a current > thread dicussing print life comparing various inks. Whilst joe cone > claims that his inks last longer, I believe that they do, surely we > are splitting hairs when the worst case tests out at at least 65 > years for B/W prints using UC inks. So why worry about it? > > Your web site is nicely presented, do you sell prints from it, or > from another source? > > Sierra Gold--- In > > _________________________________________________________ > Bill Strong's Outgoing mail checked by Norton Antivirus 8
Message
Re: PiezoTones vs Ultra-Tones
2003-08-24 by flyfishingusa2002
Attachments
- No local attachments were found for this message.