Occasionally on the various forums I read there is the inevitable Digital vs. Film debate that occurs. One of the aspects that fascinates me is the issue regarding the "value" of the final result, the print. Value in money, or value in other terms. The argument is that in darkroom printing, the print contains part of the work for that print. The printer did all of this dodging and burning magic, and probably went through a ton of paper to get there. The argument then continues to say that because digital printing is automatically reproducible, the prints it produces are of a lesser value. It's certainly the case that you also get through a lot of paper with digital printing. I've gone through boxes and boxes of the stuff - digital printing right now is a world of delight for the tinkerer and it's certainly NOT easy!!! However, I've now got the MIS VM printing on my Epson 1280 to a point where I run my PhotoShop action, apply a Roark curve and hit print. Sure, I mess around with the digital image for hours and hours, but the printing itself is now automatic. So, is it now the case that the digital file contains all the value, and the print may as well have "34/3000" written in pencil (or perhaps a Photoshop layer?) on it? I could spend days and days making an image and then print 1000 identical copies. If I spent days and days painting a picture with oils, the resulting work is certainly worth more, because there is only one. There seems to be a lot of people on this site that sell their digital prints. How have you rationalized this in your mind? Do you sell a limited edition of an individual print? Once you sell out of a popular print are you tempted to hit "print" again and make more? It would be easy wouldn't it? :) What does everyone think about this? [Non-text portions of this message have been removed]
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The Value of carbon B&W Prints
2003-08-31 by Matthew Carlisle
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