Dry mounting works fine. I use colormount at 200 deg. If you are using a textured paper, it works best to use a sheet of the same paper for a cover sheet. Jerome http://www.jeromehawkins.com/ --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Ron at BookCrossing.com" <ron@b...> wrote: > > looking for a good cheap source for pre-cut 16x20" 8-ply museum mats > > in the US. Also, how are people hanging their quadtones in a mat? > > Hanging some stuff in a gallery and all the local shops are stupidly > > expensive... > > Good questions! Along those same lines, I'd be curious to hear hear if/how > people are dry-mounting their digital prints. I've got an old 20x24 Seal > dry mount press from my silver-printing days that I'm hoping will work > with the new media. My old method was to dry-mount, then cut a window mat > about 1/2" from the print border all around, with a little more space at > the bottom for a penciled signature. The glass is then kept off the print. > Any opinions on the appropriateness of that method would be appreciated! > > -Ron
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Re: matting quadtones
2003-09-23 by photographs42
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