At 02:23 PM 10/31/03 -0800, you wrote: >Just to add a little perspective to the "carbon print" issue, the first >carbon-based inks appear to have been used with reeds and brushes in Egypt >and China about 45 or 50 centuries ago. These early inks were probably >mainly carbon in the form of soot or lamp black, suspended in vegetable oils >or animal glue. >(See http://www.io.com/~tyrbiter/ink.html) > >This ink's endurance through 30 centuries is attributed to carbon's >resistance to light and moisture. >(See http://www.wmich.edu/ppse/pekarovicova/290999.html) > >Carbon's use in imaging slightly pre-dates this. Carbon black is the >primary pigment in the Paleolithic horses from the Chauvet-Pont-d'Arc cave >in southeast France (over 30,000 years old). >(See http://webexhibits.org/pigments/intro/early.html) > >So, the next time someone asks you about the archival life of your carbon >pigment prints ... ;-) > >Paul >http://www.PaulRoark.com > > Paul, Thanks for these great links and the toner link. From now on I'm labeling my prints: Paleo-tone carbon. AZ Build a Lookaround! The Lookaround Book, 2nd ed. NOW SHIPPING http://www.panoramacamera.us
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RE: [Digital BW] Digital B&W dissing
2003-11-01 by Alan Zinn
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