Carl, sorry for this rather late reaction re Diasec. I've been making Diasec montages for many years. Diasec is basically meant for commercial purposes, expo's, office or shop decoration etc and is said to extend the live of photo material +/- 3 times. I do not consider it archival because Diasec's are made in a very acid environment So, don't use it for your precious prints unless you accept discoloration say after 3 to 5 years. Jean. on 07/10/2003 22:38, Carl Schofield at scho@... wrote: I'm looking at alternatives to the usual mat, glass, frame for presentation purposes. The Diasec or face mount process looked interesting, but I wonder how stable the finished product is in terms of warping, effects of humidity changes, etc. Anyone tried this with B&W inkjet prints on matte papers? Here is some discussion about -- jean.verrept@... archival properties, but no firm conclusions: http://www.photo.net/bboard/q-and-a-fetch-msg?msg_id=001YUe Yahoo! Groups Sponsor ADVERTISEMENT Please visit the Group Homepage to check the Files, Bookmarks, Polls and other resources as they are often being updated. The page is at: http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint If you wish to receive no emails or just a daily digest, or you wish to unsubscribe, please edit your Membership preferences by visiting this same page. Please follow these basic guidelines: - Include your full name with your message. - Include the address of your website, if you have one. - As threads develop, trim off excess portions of earlier messages to keep them short. - As the topic of a thread changes remember to change the subject header. - Good manners are required at all time. No personal attacks or flames - Complete your Yahoo profile. - Before posting a question, search the message archives and the various resources on the homepage. Your use of Yahoo! Groups is subject to the Yahoo! Terms of Service <http://docs.yahoo.com/info/terms/> . [Non-text portions of this message have been removed]
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Re: [Digital BW] Face mounting (Diasec)
2003-11-05 by jean verrept
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