Hello Mark, >No, I'll say it with respect to 2200 output. It isn't >"photographic." It may work with some images, but it will read >more like a photographic etching than a photograph. My eyes aren't >that good anymore (after turning 40), but I can clearly see the dots. I don't disagree. BO prints have a distinct look and as I said in my post, I have no problem if someone doesn't like it. I just don't like seeing it dismissed as an unworthy technique. It would be like a platinum practitioner dismissing silver as being unworthy. You have made it clear that you think inkjet prints should not be dismissed as unworthy by wet process people, so all I ask is the same respect for the Black Only method, and if someone here says they want to try it, please don't discourage them from doing so. Let them decide for themselves if they like it - after all, it involves no committment and no extra expense. It's simply one of many available choices, and has its pros and cons as they all do. As for it's appearance, in my own experience in showing BO prints to people, even experienced photographers and darkroom people who examined them with keen interest, not once did anyone mention or ask about the dots. All I got was expressions of awe and wonder about the sharpness, clarity, and beauty, and that was my 870 prints at 1440. My new 2880dpi prints are even better. I also agree with you about prints under glass, and would echo your own words with a slight modification: "Behind glass a good Black Only print is very hard to spot... unless you are specifically looking for the difference and frankly, that means you are not actually looking at the *photograph*." Regards, Clayton Info on black and white digital printing at http://www.cjcom.net/digiprnarts.htm
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Re: PWP and Black only printing
2003-11-24 by Clayton Jones
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