Digital BW, The Print

Steadman,
Thanks for the compliment.

We recently secured our domain name (skidphotography.com) but there is only photo up on our 'under
construction' page...But by the first of next year, our full-blown site should be up and running.  I will
announce it's arrival, when it is ready.

Harvey Ferdschneider
partner, SKID Photography, NYC



Steadman Uhlich wrote:

> Harvey,
>
> That was another interesting observation.  I do enjoy reading your posts and insights.
>
> Does your company have a website?  I like Ethnography.
>
> Steadman
>   ----- Original Message -----
>   From: SKID Photography
>   To: DigitalBlackandWhiteThePrint@yahoogroups.com
>   Sent: Monday, October 08, 2001 3:31 AM
>   Subject: Re: [Digital BW] The confusion of art by career
>
>
>   > The people I've admired in the arts "seem" to move about without concern for how a new body of work will
>
>   > effect
>   > marketing or whatever. There is the illusion that someone like Wegman would surely have made enough
> money by
>   > now,
>   > and being an artist at heart, would use success to gain the freedom to do whatever he wants, rather than
> be
>   > trapped by
>   > continuously having to produce more of same.
>   > Harvey and Mark, anyone, do you think it's possible to have artistic career success and remain free to
>   > progress as an
>   > artist? Or is it just an illusion, and always some kind of compromise? My observation is that it would
> take
>   > a remarkable
>   > individual to remain clearheaded in the middle of success.
>   > Which is why I make a constant point of remaining unsuccessful...
>   > yeah, that's it...
>   > Tyler
>
>   Tyler,
>   While it is true that many artists move from project to project, they tend not to stray too far from their
>
>   original 'style'.  And further, I think that when one gets 'approval' for one's artwork, after (usually)
> years
>   of slogging away, it's hard not to try and 'please' the muse.  I am not saying that it's about the money.
>
>   On the other hand, I went from one style of photography (neo-pictorialism, nudes) which were selling very
>   well, to NY nightlife images of Klub Kidz, drag queens and transexuals (ala Brasaii), which did not sell
> at
>   all, and it sort of put an end to my forward motion in the gallery world.
>
>   My dealer was extremely nice about it, but has not been able to sell any of the newer stuff, and has
> explained
>   that it's a totally different market.  For about 5 years after I finished the nudes, he tried to cajole me
>
>   into shooting more of them (as he had a ready market for my work)...But those images no longer interested
> me.
>
>   I imagine, in another 15 years the NY nightlife images will start to sell...They will be old enough to be
>   those ethnographic statements that I referred to in another post.
>
>   BTW:  Even though the Nightlife shots were beautiful, and popular with the academic crowd (The
> International
>   Center of Photography in NYC had us lecture about them, as did the Society of Photographic Educators at
> their
>   annual meeting, and the Michigan Journal of Photography covered them in one of their publications)
> but...Not
>   popular with the 'collectors'.  Not hip enough, or not fashionable or the like.  But it's ok, I like them,
> and
>   that's what counts.  :- )  I figure I'll just make my living doing commercial work...Mostly rock & roll
>   portraits.
>
>
>   Harvey Ferdschneider
>   partner, SKID Photography, NYC
>
>
>
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>
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> Please visit the Group Homepage to check the Files, Bookmarks, Polls and other resources as they are often
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> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
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