Phil, By now you are hopefully in Oakhurst having a great time. I checked A&I's site and it is a Lightjet 2080 which was made by Cymbologic. Cymbologic doesn't list it on their website so I wonder if it is out of production. A Yahoo search on "Lightjet 2080" turned up a few mentions of other service bureaus that have them. Nancy scans has one but does not mention B&W. Found a deal on two used ones, a 1996 and 1997. If you have a spare $39,400 you could have one in your studio. No wonder the output costs a bit! I like A&I's reply. You really are doing a system calibration from camera-scan-monitor-(proof printer)-digital neg-enlarger-print which is a rather long chain. A rough idea for a possible calibration workflow: Get a 4X5 Stauffer step tablet Measure all the steps with a densitometer Enlarge it onto your favorite #2 paper at the size you anticipate so that the print Dmin falls at least three steps from the end of the scale. Raw scan the step tablet Take it into Photoshop and in levels put the white point on the step that gave paper Dmax and the black point on the step that gave paper Dmin. Output this file to the Lightjet 2080 Output the raw scan of the step tablet to the 2080. Record the density of all the steps on these step tablets. Hopefully this would give you enough information to create a transfer function to map from a negative/scan to Lightjet output. I may be missing something here, but it might be a way to go simplify the system calibration. Martin --- In DigitalBlackandWhiteThePrint@y..., "Phil Bard" <phil@p...> wrote: > Everyone, > > I won't have anything to report on the tests I'm conducting with A&I > until early next week. I spoke with them moments ago and they said > film should be ready this afternoon, but I'm off to the Piezo Summit > and won't be able to pick it up. > > Point of clarification, apparently the digital negs they produce for > enlargement purposes are created not on the Lightjet but a (Fuji?) Film > Recorder 2080. The Lightjet outputs Duratrans (as well as print > media), but not camera film, and therefore is not suitable for my > purposes. Sorry for the misinformation, my initial meetings with them > took place along with a fellow photographer who is testing their print > output, and the specifics as to what device was doing what were not > clarified. I'm now dealing with the operators and getting my info > straight from them. > > They have stressed all along, however, and I should make this clear, > that the initial phases of this process take time. Everyone's film and > enlarger combination is a bit different and they have to make several > runs to get into sync with their client. You would have to expect the > same should you decide to go this route. > > Have a great weekend, and I'll see some of you, no doubt, in Oakhurst. > > Phil > http://philbard.com
Message
Re: Digital Negs
2001-08-04 by mwesley250@earthlink.net
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