Paul D. DeRocco writes: > If you can represent both color A and color B digitally, and you can > render a gradient from A to B that shows no posterization to the eye, > then you have all the color "resolution" you need. Unless the original scene showed additional details in that gradient that cannot be simulated by any form of interpolation. > Inability to render sufficiently fine color differences equals > posterization. In terms of chrominance, yes. In terms of spatial resolution, no. > Gamut and saturation have nothing to do with this. They have everything to do with it. That's why offset printing never looks like a chemical print, and that's why chemical prints never look like monitor displays, and that's why monitor displays never look like projected slides. > There's nothing about Bayer sensors that limits the gamut > or saturation. Yes, there is. They remove fully 2/3 of the color information from the image. > I don't think you have any idea what you're talking about. Sorry. Now you've graduated from near personal attacks to actual personal attacks. I take it that you've run out of arguments in support of your stated position? I still have plenty of data and logic on my side.
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Re[6]: [Digital BW] (unknown) to Val digital vs film
2003-12-30 by Anthony G. Atkielski
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