Mike, >... >Paul, your observations about hiding the origins of digital images >are very interesting. I guess I'm slowly coming to accept that I have >to work *with* the look of digital output a bit more, rather than >fighting against it constantly. As an amateur, the main audience I'm >trying to please is my own unaided eyes, but they are a fairly >critical audience. Visible digital artifacts at normal viewing distance are unacceptable to most of us, I would guess. Under normal viewing conditions, I think people will not see dots with any of the modern dedicated B&W solutions, at least on matte papers. My original criteria included the ability to hang a display 16 x 20 inch digital print, framed and under glass, next to my 16 x 20 darkroom prints and have the quality be equal. Even the old 3000 can do this with, for example, Epson Enhanced Matte. > For instance I've seen jaggies on an A4 colour >2100 print made from a full-size Minolta 5400 scan. That does surprise me a bit. However, one caveat to my statement above about not seeing digital artifacts with current systems is that, to me, the technology is still not at a point where I'm satisfied with the glossiest print papers. The pearl and semi-gloss surfaces look excellent, at least when sprayed with something like Lyson Print Guard, but the high gloss surfaces do still look less than perfect to me. > I guess I'm the >type of guy who probably won't relax completely until the true on- >paper resolution exceeds 1000ppi. ... Some claim to be able to see the difference between 360 dpi and 720 dpi printing. Frankly, I cannot see it on the matte papers that I generally use for serious display prints. (I have not tested this on glossy papers.) The machines are not perfect, and I expect them to get better. However, I clearly think they are good enough that, overall and on average, my digital prints are better than my darkroom prints. I guess for me, that was the cross-over point. I went with the approach that, for me, produced the most satisfying final product. Paul www.PaulRoark.com
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RE: [Digital BW] Pure quadtone vs. "toner" inksets
2004-04-23 by Paul Roark
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