Hi Scott, Sorry if I irritated you somehow, but I returned the scanner for this reason: > the lack of gain/exposure control in the hardware plus absysmal colour accuracy > led me to return my 3200 within a month of purchasing it. It may be a fine scanner in some respects, but I found it very hit- and-miss and the exposure control issue was a huge bugbear (does anyone know if that has been fixed in the 4870??) I also found it impossible to compensate for the extreme hardness of Minolta B&W scans by post-scan treatment. It's not just a matter of contrast, it's to do with the way that the light source renders the grain, and I couldn't fix it via curves and/or blur. By the time I got the tones as smooth as the Epson's, the Minolta scans ended up being far softer. If you or anyone else has a workflow that will mimic the sort of creamy-smooth output the Epson can give, starting with a much harder scan, then I'd love to hear about it. (Is anybody in this group using an Imacon for B&W, and what are your opinions on this topic?) Regards, -= mike =- --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Scott Graham" <gebilwil@n...> wrote: > Of course "decent film scanners" produce better results than a flat bed, for film. They are > designed to scan film as opposed to large flat "objects". And they cost more cuz they have > more capability (for film, like res, dmax, etc). Sort of like a sports car and a station > wagon: you might want both. > > And of course someone will always try to go cheap like using a flat bed for film. I certainly > will if it meets my needs. > > You get what you pay for. > > And it is a bit like the old condenser vs diffusion enlarger question. I always preferred > detail and sharpness. If you have it, you can get rid of it; if you don't have it you can't get > it. > > and on the 3200, it is a fine scanner. You returned it for the wrong reason. > > Scott > > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "mike_nunan" > <mike_nunan@h...> wrote: > > Hi Sanders and Scott, > > > > I noticed something similar with the Epson 3200, and I've also put it > > down to the light source. However, there is no doubt that the Epson > > flatbeds are significantly less sharp than decent film scanners. This > > isn't a problem with moderate sized prints from 120 film, but I
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Re: comments on the Epson scanners vs. the Nikon 8000
2004-05-06 by mike_nunan
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