Digital BW, The Print

Julian,

I think you will like his work.  

keithfishman.com

Regards, 
Steadman
  ----- Original Message ----- 
  From: Julian Thomas 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Wednesday, October 24, 2001 2:26 AM
  Subject: Re: [Digital BW] Fellow Printers (list members) get Exposure in BW Magazine


  Steadman, have you a link for Keiths website - couldn't find it on google.

  Julian
  ----- Original Message -----
  From: "Steadman Uhlich" <steadmanuhlich@...>
  To: <DigitalBlackandWhiteThePrint@yahoogroups.com>;
  <piezography3000@yahoogroups.com>
  Sent: Wednesday, October 24, 2001 7:38 AM
  Subject: [Digital BW] Fellow Printers (list members) get Exposure in BW
  Magazine


  > I just received my copy of B&W magazine and was delighted to see the work
  and writings/opinons of two of our fellows on these lists.
  >
  > As far as I can tell the are both still Piezographers.  That does not
  really matter...but what does matter is that they both were identified as
  digital printmakers....or actually as photographers using a digital process.
  >
  > The two in question are:
  >
  > 1. Michael Kravit (p.26)
  > 2. Keith Fishman (p. 106)
  >
  > Michael gave an interesting viewpoint in the letters-to-the-editor section
  of the magazine.  Michaels letter is in response to earlier letters that
  were down on digital process and suggested to the editor that digital had no
  place in the mag.   Michaels letter was well written and balanced.
  >
  > Of course it was followed in that section by another letter that seemed
  ridiculously "unbalanced" with statements like this (and I do quote
  here...really!):  "Because with digital, how do you know if what is on the
  print is on the film?"  I found this especially humorous since I don't use
  film at all to create my own "photographs."
  >
  > Keith has an even more substantial part of the magazine.  Keith is
  profiled in the mag with several pages of images and written profile.  Not
  only that, he is also having an exhibition that was advertised with a full
  page ad by his sponsoring gallery.  I especially liked his image "Supporting
  Driftwood 2000"   (Julian Thomas I think you will like this one too.)  If
  you have not seen Keith's website, go visit.  He uses carbon quadtones to
  produce some stunning ethereal images (and at a purposefully small format).
  When I saw his images of clouds and skys and fog, I could "see" them on a
  carbon Piezotype on a fine art paper...I imagine they look great on the
  paper.
  >
  > It is good and encouraging to see that BW Magazine (the US mag that
  is...there is another in the UK that is very different) is providing space
  for digital printmakers.
  >
  > I only have one criticism....the article on Keith calls him a digital
  "outputter."  I think that sounds like a golf club.  I recommend that from
  now on we address ourselves as "digital printmaker" or even better..."Master
  Digital Printmaker" or for the more modest... "Herr Doktor Printmeister."
  Something clear and catchy.  Just don't call yourself a "digital printer."
  (wINK)
  >
  > Congratulations guys!
  >
  > Steadman
  >
  >
  > [Non-text portions of this message have been removed]
  >
  >
  >
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